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Stone 2022-07-06 18:40:36
A true feminist film. The power of the film lies in the gaze, in expressing the routine outside of the routine, and the legend unconventionally. Almost all interior scenes, fixed camera positions and views. Shooting three days into three hours takes the trouble to show a family life that is ushered in but essentially frozen. So directly and calmly photographing women who are caught up in housework, there is a thrillingness in a lot of repetition and verbosity. The audience is forced to watch...
Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles Comments
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Linnie 2022-10-24 20:51:20
Jeanne Dierman, 23 Rue Commercial, Brussels 1080
"In Jeanne Dierman, when we see Delphine Seliger sitting in a chair for a few minutes, we don't think about a distant or recent past, but suddenly wonder if she's well arranged Live your life to the fullest so that you don't let troubles come in. Is it just her troubles? No. No, not just that." -...
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Kiley 2022-09-09 02:26:40
Peeping and Mystery: The Story and the Viewer's Dimension
Watching this movie, all the audience played the role of a voyeur. For example, Nagisa Oshima's "Sensual World" and "Undead of Love" also have a lot of voyeuristic characters, so that the viewer can directly substitute them.
Voyeurism is often associated with taboos, and this is no exception....
Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles quotes
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[repeated lines]
Jeanne Dielman: Don't read while you eat.
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[repeated lines]
Jeanne Dielman: Sleep tight.
Jeanne Dielman, 23, quai du commerce, 1080 Bruxelles
Director: Chantal Akerman
Language: French Release date: January 21, 1976