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Mae 2021-11-14 08:01:25
So far, I have basically watched the most important film of the Coen brothers. The rhythm is slow and straightforward, even rough, until the dialogue between Tom and Leo is the peak. Leo has always praised him for being smart, and Tom has only one sentence: Do you know why you do everything? He just happened to be the winner. If anyone says that this film lacks Cohen's usual sense of absurdity and blackness, he still hasn't understood it. Isn’t that the biggest joke when people follow the crowd...
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Melyssa 2021-11-14 08:01:25
The Coen brothers are really the conscience of the screenwriters. Many character relationships are designed for aerial work. If they are not paying attention, they will fall off the line. They rely solely on narrative talent to control the reins of the text. The lines are close to the ancient Hollywood production, and the composition and mirror are also very particular, and the elegance and sullenness that are not common in the subject of gangsters are photographed. Hat trick and corpse magic,...
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Cleve 2021-11-14 08:01:25
Some particularly exaggerated sections can be seen as a tribute to classic gangster movies, but for the audience, it may feel more funny. Finney is almost smiling when he is holding a machine gun. Photographer Barry Sonnenfeld said that they wanted this to be a film with beautiful pictures and beautiful characters rather than a ridiculous film. The fact is that they did both. This seeming inconsistency has become unique to Cohen's films. Style and...
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Rosemarie 2021-11-14 08:01:25
Write a new content of the badly written gangster divorce set. Which ones are strategizing and which ones are set by fate and then pretend that they are playing a destiny by themselves? Not only can people not be able to guess what others are, they can't even read their own true meanings. The ending is a bit "Third Person", I think he has genuine affection for the boss after all. Lots of laughter, the boss gunfight is the funniest, and I was laughing wildly at Buscemi that...
Miller's Crossing Comments
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Randi 2021-11-14 08:01:25
Don't touch the man's hat
Clothing is a clever politics, and politics is a clever dress. The role of clothing is not only to modify the appearance, but also to classify the status and distinguish the superior from the inferior to the inferior. The first compulsory course for the concierge in the hotel lobby and the...
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Elyse 2022-03-21 09:01:42
crossroads
Walking on the forest path called the crossroads, looking up at the dense branches lost in the sky, I dreamed that one of my hats was blown away by the wind, blowing far, far away.
"Then you go after this hat and go into the depths of the forest, and although you don't find the hat, do you find...
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[repeated line]
Tom Reagan: Nobody knows anybody, not that well...
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Tom Reagan: Miss me?
Verna: Drop dead!
Director: Joel Coen, Ethan Coen
Language: English,Italian,Irish Gaelic,Yiddish Release date: October 5, 1990