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Orland 2022-03-25 09:01:07
I don't know what the author of "Entertainment to Death" has anything to do with this movie, at least this movie is a prophecy and generalization of the entire TV era. Television is a crazy, neurotic industry. Why didn't "Spirit of the Times 1" quote what the big boss said to the male host in the conference...
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Ned 2022-03-25 09:01:07
See you late, very arrogant. But watching it late also has the advantage of watching it late. After years of immersion in the hype of American reality TV shows and the Internet, I can better appreciate the sharpness and depth of this 1976 film's exposure to the TV media, and it deserves the Oscar for best screenplay. The ratings queen played by Tang Wei Na is really in high...
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Pedro 2022-03-25 09:01:07
Why use absurd methods to express, but the illusory happy ending like "Morning Glory" is very real? The first half is basically realism, and since Howard was lying in bed, he began to express...
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Josie 2022-03-25 09:01:07
We are mad as hell and aren't going to take it anymore!!! A tale of idiots, media elites and capitalists, a great...
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Braulio 2022-03-25 09:01:07
The crazy satire of the year now seems to hit the red heart at every point. Such a prophecy is scary. The only thing that skips tone is the "older generation" moral rhetoric represented by the head of the news department. Fortunately, the film does not regard it as the final answer, but shows its layers of...
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Vito 2022-03-25 09:01:07
Sidney Lumet was a true "genius prophet". Mass events are triggered by individual behaviors, and the religious frenzy speeches make the scalp tingling. "I've gone crazy, I can't stand it any longer." When everything becomes an appendage of life and television becomes the real world, the ordinary integrity of human nature will become more and more distorted. Yeah, the generation that grew up watching Bugs Bunny thought murder was as easy as drinking a can of beer, "What do we...
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Zion 2022-03-24 09:01:37
Bill's change was sudden. Can a veteran journalist not understand that profit is above all else? And then exploited by TV again? Other TV generations fared just fine. Bill's death was also dramatic. A mix of story and political...
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Kurt 2022-03-24 09:01:37
Bill's change was sudden. Can a veteran journalist not understand that profit is above all else? And then exploited by TV again? Other TV generations fared just fine. Bill's death was also dramatic. A mix of story and political...
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Sophie 2022-03-23 09:01:40
Hey, human nature, I really don't know how complicated and dirty it will...
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Braeden 2022-03-22 09:01:35
CCTV6 national version, Sidney Lumet is another classic beyond the times. Dark humour, great script, and lots of excellent dialogue. From the bizarre TV industry, it reflects the vast society with lost value, and it all reflects the sense of absurdity in the era of entertainment until death. From 1970s to 2020s, it is almost the replica and prototype of various talk shows and online live broadcasts today. In the era of kings, he did anything to increase the ratings to attract attention, and he...
Network Comments
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Fanny 2022-03-21 09:01:41
I don't really like the stage-style dialogue of "TV", but it's still inspiring
http://subjective-critic.blogspot.com/2007/12/network-1976.html
The TV station in "Network" is just as crazy as the audience. The TV station broadcasts grandstanding programs in order to survive; The audience also accepted all the orders, which made the ratings soar. The causal relationship between... -
Garth 2022-03-24 09:01:37
hysterical "television man"
As one of the only two films that won three Oscar performance awards, first of all I have to say that the performance of the whole film is superb and excellent. the feeling of play. The performance of the whole play has a very strong sense of hierarchy in the performance of different social roles....
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Max Schumacher: You need me. You need me badly. Because I'm your last contact with human reality. I love you. And that painful, decaying love is the only thing between you and the shrieking nothingness you live the rest of the day.
Diana Christensen: [hesitatingly] Then, don't leave me.
Max Schumacher: It's too late, Diana. There's nothing left in you that I can live with. You're one of Howard's humanoids. If I stay with you, I'll be destroyed. Like Howard Beale was destroyed. Like Laureen Hobbs was destroyed. Like everything you and the institution of television touch is destroyed. You're television incarnate, Diana: Indifferent to suffering; insensitive to joy. All of life is reduced to the common rubble of banality. War, murder, death are all the same to you as bottles of beer. And the daily business of life is a corrupt comedy. You even shatter the sensations of time and space into split seconds and instant replays. You're madness, Diana. Virulent madness. And everything you touch dies with you. But not me. Not as long as I can feel pleasure, and pain... and love.
[Kisses her]
Max Schumacher: And it's a happy ending: Wayward husband comes to his senses, returns to his wife, with whom he has established a long and sustaining love. Heartless young woman left alone in her arctic desolation. Music up with a swell; final commercial. And here are a few scenes from next week's show.
[Picks up his suitcases and leaves]
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Max Schumacher: After living with you for the last six months, I'm turning into one of your scripts. Well, this is not a script, Diana. There's some real, actual life going on here.
