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Fatima 2022-03-24 09:03:51
I like the scheduling and art very much (he likes to shoot the back of the head, the audience sees ghosts before the characters, a lot of window frames, doors, fluttering curtains, various separation spaces), it seems that every time there is a huge concept, but the expansion And the ending is a little bit frustrating. This film should have the influence of "Midnight Bell", the film texture is very suitable for this...
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Deron 2022-03-24 09:03:51
The video has quality, but my disc has no...
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Garett 2022-03-24 09:03:51
The video has quality, but my disc has no...
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Kaya 2022-03-24 09:03:51
In the first hour, you can feel terror because of the boring plot, and in the next hour, you gradually have a soul, but you don't feel terror at all. Does this prove that nothingness, unknown, and emptiness are the source of terror? After the film ends, the final freeze frame gradually shrinks, forming a "hui" character with the black background plate of the large frame. The "hui" consists of two closed square frames. The small two square frames just illustrate the endless loneliness, and the...
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Alisha 2022-03-24 09:03:51
In the first hour, you can feel terror because of the boring plot, and in the next hour, you gradually have a soul, but you don't feel terror at all. Does this prove that nothingness, unknown, and emptiness are the source of terror? After the film ends, the final freeze frame gradually shrinks, forming a "hui" character with the black background plate of the large frame. The "hui" consists of two closed square frames. The small two square frames just illustrate the endless loneliness, and the...
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Hayley 2022-03-24 09:03:51
In the first hour, you can feel terror because of the boring plot, and in the next hour, you gradually have a soul, but you don't feel terror at all. Does this prove that nothingness, unknown, and emptiness are the source of terror? After the film ends, the final freeze frame gradually shrinks, forming a "hui" character with the black background plate of the large frame. The "hui" consists of two closed square frames. The small two square frames just illustrate the endless loneliness, and the...
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Doug 2022-03-23 09:03:33
7.0 is a rare horror film with such an outstanding temperament. The display of alienated human beings on the Internet has an aggression similar to experimental images. This aggression is softened by Kurosawa Kiyoshi's implicit and oriental mysticism, and finally the aggression turns into erosion. Japan is an apocalyptic island where the dark clouds overwhelm the city. The only two people who survived escaped by boat. In the end, they were at sea, and one person became an...
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Rosario 2022-03-23 09:03:33
Really powerful horror genre films always convey emotions, in which alienation and despair, speechless madness. The emotions are out of balance, but the camera is calm. The end has...
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Fay 2022-03-23 09:03:33
People all over the world don't go to work, stay in their room (literally), connect to each other with the Internet, and then slowly disappear...it feels like a fat house...
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Roberto 2022-03-23 09:03:33
It is true that the image and sound present a very strange beauty, and even moved me, but in my mind, the reason why this film cannot be called a masterpiece is that, for me, it has such cold propositions as existentialism, loneliness, the Internet crisis, etc. , is separated from the intuitive sound and picture, I can't directly feel the core from every scene I watch, I can't carry out "part → whole" retrieval anytime and anywhere, and I can't follow the protagonist on a parade of information...
Pulse Comments
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Santos 2022-03-18 08:01:01
The doomsday feeling is very good
After more than ten years, I revisited this controversial classic by Kurosawa Kiyoshi, only to realize that this is not a horror film like "Midnight Bell", although both draw on the same type of film methods, through daily electronic media. to convey the horror atmosphere. After many years, I...
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Clarabelle 2022-03-18 08:01:01
If you get close, you will die, if you are too far, you will get close
The black image on the wall The vaporized afterimage of the nuclear explosion site seems to be the critical surface between this side and the other side, or the traces/embers of the proof that once existed, pointing to a kind of emptiness, a kind of absence but trying to be remembered of...
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Michi Kudo: It all began one day, without warning, like this.
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Michi Kudo: Still no answer at Taguchi's?
Junko Sasano: No.
Michi Kudo: It's been over a week, he must have his reasons.
Junko Sasano: It shouldn't take a week to work on that disk.
Michi Kudo: No, something's wrong. Maybe I should see if he's okay.
Junko Sasano: I just got the creeps.
Michi Kudo: What?
Junko Sasano: I don't know, I just feel like something's wrong. Like something's horribly wrong.