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Jacklyn 2022-04-24 07:01:22
This is the color film! Antonioni plays with color, light, and sound, and uses what he is best at in the boring life of the middle class to create a fascinating allegory of the industrial...
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Isom 2022-04-24 07:01:22
I really hate Monica Vitti's jerky, psychotic face dangling from beginning to end. Industrialization, alienation, interpersonal deserts, the themes are not new, and the performance is not outstanding. . . Disappointed. ....
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Kaya 2022-04-24 07:01:22
[Beijing Film Festival Screening] Antonioni's first color film. On the impact of industrial pollution on the human heart. I don't like this one very much. A narrative that's vague or even non-existent, deafening factory machines and shrill electronic foley sound effects, morbidly neurotic heroine. So noisy and bored, I wish I could slap the heroine a few times. You can only surrender and give up, and go to sleep. one and a half...
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Clemmie 2022-04-24 07:01:22
I walked out of the house and went to the city with no purpose. Tired! I was lost in the silent night and the loss of happiness. It's like a winter night, when a heavy snowfall must suffocate the world. Friends, I call for help: where is she, the answers of friends are all false. I came to the glass door where she came every night; I hurried through the sunken garden... In the end, I went down to a place full of dust - Rimbaud's "Desert of...
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Zack 2022-04-24 07:01:22
It is recommended by sin. The theme and content of the film are very similar to "Desire Express". Apart from "Zoom", Antonioni's films where men and women are alone I'll never know what they're doing. Almost fell asleep....
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Dallas 2022-04-23 07:03:54
I finally saw Vitti in color, and her nervousness combined with the noise to make her restless. Antonioni used the foggy factory ship port to embellish the dilapidated and depressing scene with symbolic bright colors to bring out that emotion to the extreme. Love the heavenly seaside singing, Beijing Film Festival Archives. 2021.8.7, 4K restoration version rewatch, the epidemic has come again, after looking at the sea for a long time, I will no longer be interested in what happens on...
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Tatyana 2022-04-23 07:03:54
Except for the large blocks of color, there is nothing to watch, and the strike at the beginning flashes by, changing the neurosis of middle-class women to accuse capitalism, and the perspective is a bit hypocritical. The audience was tortured by a mad woman for two hours, and there was no applause at the end, which is really rare in a film...
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Kristina 2022-04-23 07:03:54
Artificial...
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Kaia 2022-04-23 07:03:54
It's not that there is no plot, the metaphorical factory industrial society scene is not as much as I thought, the dialogue is more than I thought, I still prefer Ropoulos, the picture is more lyrical than...
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Clair 2022-04-23 07:03:54
Desolation feels so beautiful, I like it so much, I'm going to Hebei to go out and try to describe the inner world of patients with severe depression. The sound + the noise and loneliness built by colors are very subtle. It's a great pity that the film is built in an already very leisurely place. It is difficult for the middle-class European society to impress the audience of East Asian social animals under the hard...
Red Desert Comments
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Josefa 2022-04-20 09:02:19
Antonioni's film metaphors
Those people and things in life together are our life, and no one is absolutely free. Confusion, madness, hysteria, sensitivity, loneliness, fear, anxiety, that is the heroine's self-seeking and resistance, she is locked in the cage of industrialization, sewage, yellow smoke, mechanized production...
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Federico 2022-04-19 09:02:43
frightening truth
Like Antonioni's modern love trilogy, "Red Desert" still feels alienated and isolated, with what seems to be an insurmountable spiritual gulf between people in the film. But unlike the other three, "Red Desert", Antonioni's first color film, explores the relationship between people and the urban...
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Giuliana: There's something terrible about reality and i don't know what it is. No one will tell me.
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Giuliana: [voiceover: Giuliana is recounting a fable to her son, as a depiction of the fable is shown on screen] There was a girl who lived on an island. Grownups bored her, and frightened her too. She didn't like kids her age. They all pretended to be grownup. So she was always alone, with the cormorants, seagulls, and wild rabbits.
Giuliana: [voiceover continues] She'd discovered a small beach far from town, with crystal-clear water and pink sand. She loved that spot. The colors of nature were so beautiful, and there was no noise. She'd leave only when the sun did too.
Giuliana: [voiceover continues] One morning, a sailing ship appeared. It wasn't like the usual boats that passed by. This was a real sailing ship, the kind that had braved stormy seas all over the world - and who knows, maybe even beyond. Seen from afar, it was a splendid sight. But up close, it took on a mysterious air. There was no one aboard. It paused for a few moments, then turned, and sailed off, as silently as it had come. She was used to people's strange ways, so she wasn't surprised.
Giuliana: [voiceover continues] But no sooner was she back on shore, when...
Director: Michelangelo Antonioni
Language: Italian,Turkish Release date: February 8, 1965