Score: A Film Music Documentary Comments

  • Ashleigh 2022-09-24 05:42:43

    Film soundtrack: Express the mood/scenario/character inner activities, set the theme tone (the soundtrack at the beginning of "American Beauty"), promote the development of the drama, target the audience's psychology, stimulate the audience's imagination, need to adapt to the situation, don't take too much drama, It's part of the film's precise narrative, the icing on the cake, the rotten into the...

  • Theodore 2022-09-19 18:19:33

    It's very interesting, but the discussion is a bit too monolithic, and it feels like it can be very...

  • Shemar 2022-09-04 15:17:29

    No one beats John...

  • Spencer 2022-09-02 23:17:33

    Three and a half stars, basically talking about Hollywood blockbuster music (plus a bit of British and a bit of Morricone), and not mentioning the Newmans and the new generation of these effects. I would say that in the world of film music, at least France, Italy and Japan (and India, which is already a world in itself) should not be left...

  • Lukas 2022-09-02 22:50:26

    Sure enough, most people use Cubase, Junkie XL's equipment and workflow are completely copied from Hans Zimmer...

  • Zena 2022-09-02 20:16:53

    Structurally could do...

  • Adell 2022-09-02 19:27:02

    It's too light-hearted to talk about it, and the best part is actually a short paragraph about missing JH in the end credits. 6.7...

  • Leonard 2022-09-02 18:43:36

    Saw its New York premiere today and cried. As a viewer who has lived here for many years, the film directly inspired countless fragments of memories. As an avid music lover, this film is a pilgrimage, and almost all of Hollywood's heavyweight scorers have appeared in the film in the past fifty years. As a new practitioner, I can't imagine the production length and detailed material preparation time of this film. DVD coming out soon, I want to buy...

Extended Reading

Score: A Film Music Documentary quotes

  • Leonard Maltin: Music has the ability to shape and in some cases alter or even subvert what the filmmaker is communicating.