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Rebeka 2022-03-27 09:01:18
The power is the deity, and the characters are all shadows. The blood in the style of ink painting is the color of intrigue, the twist of dark and soft dance steps is the gesture of power struggle, and the yin and yang of the eight trigrams are the symbols of power. The film echoes the beginning and the end, starting from Xiao Ai's peeping and ending with Xiao Ai's peeping, what he spied on is a power drama that circulates endlessly from the inside to the...
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Daphney 2022-03-27 09:01:18
1. The black and white gray texture of the delicate and high-definition close-up has nothing to do with the ink painting and its artistic conception. The typical Chinese ink painting refers to Huang Gongwang's "The Useless Teacher Scroll" 2. Such a simple story with such a small plot does not need to be told in such a coherent manner Long-winded 3. Since the lines, soundtracks and props are all ancient, then the actors' performances are too lacking in ancient meaning, especially the lines...
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Dock 2022-03-27 09:01:18
1. The black and white gray texture of the delicate and high-definition close-up has nothing to do with the ink painting and its artistic conception. The typical Chinese ink painting refers to Huang Gongwang's "The Useless Teacher Scroll" 2. Such a simple story with such a small plot does not need to be told in such a coherent manner Long-winded 3. Since the lines, soundtracks and props are all ancient, then the actors' performances are too lacking in ancient meaning, especially the lines...
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Deonte 2022-03-26 09:01:12
Three and a half. The first two scenes are mediocre in form, and the biggest problem is the performance. Deng Chao wants to express but loses his restraint. On the contrary, Zheng Kai does not dare to enlarge it and loses his exaggerated proportion. Everyone's close-up teardrops are godless. It was only after the frequent dramatic reversals at the end that the characters became more three-dimensional. For the motif of "identity", I use the popular "love" or "family" in one stroke, but the...
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Priscilla 2022-03-26 09:01:12
Three and a half. The first two scenes are mediocre in form, and the biggest problem is the performance. Deng Chao wants to express but loses his restraint. On the contrary, Zheng Kai does not dare to enlarge it and loses his exaggerated proportion. Everyone's close-up teardrops are godless. It was only after the frequent dramatic reversals at the end that the characters became more three-dimensional. For the motif of "identity", I use the popular "love" or "family" in one stroke, but the...
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Clara 2022-03-26 09:01:12
2.5. What impressed me the most was the intention to travel by the iron pot, and I almost forgot about everything else. Just like Chen Kaige's infatuation with the grand narrative of the Spring Festival Gala Fan'er, the commercial films of the national teacher are all slaves to the infinite superposition of reversal...
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Addison 2022-03-26 09:01:12
2.5. What impressed me the most was the intention to travel by the iron pot, and I almost forgot about everything else. Just like Chen Kaige's infatuation with the grand narrative of the Spring Festival Gala Fan'er, the commercial films of the national teacher are all slaves to the infinite superposition of reversal...
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Rosalia 2022-03-26 09:01:12
The characters are collectively masked, and their motivations are all told in unspoken lines. It is difficult to find a real character in this movie. Several labels are posted here and there, all of which are very old-fashioned, conceptual, and superficial. thing. Even whether the plot or the performance, often because of too much force, and there is a very funny feeling. Deng Chao worked very hard, but his understanding of the role was completely deviated. Is he playing a strategizing hero?...
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Adolphus 2022-03-26 09:01:12
The characters are collectively masked, and their motivations are all told in unspoken lines. It is difficult to find a real character in this movie. Several labels are posted here and there, all of which are very old-fashioned, conceptual, and superficial. thing. Even whether the plot or the performance, often because of too much force, and there is a very funny feeling. Deng Chao worked very hard, but his understanding of the role was completely deviated. Is he playing a strategizing hero?...
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Janiya 2022-03-26 09:01:12
The media field, the plot is empty, the characters are pale, and it is still Zhang Yimou's old problem. The characters' stories can't stand up and can only be forced through scenes and colors, which makes me very irritable! Deng Chao wrote all over his face that I was acting and I could act; Sun Li didn't hold back his acting skills. As for the other actors, let's not mention Zheng Kai and his likes, okay? In short, the whole movie is...
Shadow Comments
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Kianna 2022-04-20 09:02:21
Prisoner of Power, Hostage of History
"Shadow Warrior" (1980) inspired Zhang Yimou: "Kurozawa Akira's Shadow Warrior is dead, we want him to live ."
As an inescapable existence in Chinese film history, Zhang Yimou's creation can be roughly divided into two stages: his debut "Red Sorghum" (1988) ignites the flame of love and resistance;...
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Camden 2022-03-29 09:01:07
The suffering of the little ones is meaningless
When I first started watching, I thought that Pei Guo was probably equivalent to Wu Guo, Lu Yan must be Lu Su, and this commander must be Lu Xun. After seeing Yang Family's swordsmanship, Yang Cang's sword, And Yang Cang's son Yang Ping, isn't this the Guan family father and son.
Guan Erye is also...
Top cast
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Zi Yu: They say a pup taken at birth can find its birthplace by tracing the scent.
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Xiao Ai: Some things don't have a right or wrong. What's done is done.