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Jensen 2022-03-26 09:01:14
I would have liked to give it four stars. Later, I went to count the frames of ringing the doorbell when entering the door and decided to give it five stars. (The teacher who teaches you every week suddenly appears on CC's comment track and suddenly feels motivated to write her essay...
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Theodore 2022-03-26 09:01:14
70/100, a casual interpretation, a discussion of love under the shell of a suspense film, a few edits, transitions and memory materialization are quite pioneering and cute, but there is really no way to like this film...
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Yasmeen 2022-03-26 09:01:14
CC Collection No. 315, produced in France in 1960. Love and horror are not well told, and there are some inexplicable scenes, the paragraphs are bluntly connected, and the story sequence is quite jumpy. As Truffaut's second work, it is clear that he has no personal experience with the first adaptation. It also made a common problem with new directors. I wanted to talk too much, and it was all in a mess. The French New Wave has not been able to adapt to the American crime genre, and it is far...
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Anahi 2022-03-26 09:01:14
(Feature #02) Second movie. The strange route outside the sketch. The allegory of multiple mirrors. A scene in the snow reminds me of "Scorpion Night Harmony". I like this Jean Paul. Belmondo. The key scene was also moved again and...
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Kennith 2022-03-26 09:01:14
It's actually the woman who killed the pianist... It's mainly about the woman in the eyes of men, with elements of crime added, but the large flashback is too disconnected from the main line, and the characters' emotions are also...
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Sanford 2022-03-25 09:01:23
For an anti-genre genre film, the "reaction" is initiated from within the genre, and it de-essentializes the so-called "genre essence". In other words, the so-called genre essence is nothing more than the inertia of stereotypes. In crime films, the morality of good and evil is not only ambiguous, but also mostly irrelevant; the conflict process between contradictory parties is full of contingency, drama and even presented as a nonsense journey; restrained ( In other words, the emotion of the...
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Hailee 2022-03-25 09:01:23
The pianist did a good job. The second half of the film is very Hitchcock, and it's not boring. You can watch...
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Francesco 2022-03-25 09:01:23
I think it's one of those good, crisp movies,...
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Luciano 2022-03-25 09:01:23
8.8/10. ①The main line is the sad past of the male protagonist and his wife who was chased and killed by the gang because of being implicated by his younger brother (the wife agreed to be unspoken for her husband's future, and later committed suicide due to guilt) and love with a new lover (the new lover was killed by the gang after the new lover) And a possible future love with the maid. There are also some unfinished branch lines that have little to do with the main line. ②It creates a...
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Holden 2022-03-25 09:01:23
The main line of the kidnapper's chase that promotes the development of the plot is not directly related to the hero. The love that develops in the current tense leads to the first love tragedy that the hero has experienced in the past. The self-advice of the inner monologue is always inconsistent with the actual actions and behaviors that follow. , the tense moments of the kidnappers taking hostages are full of jokes, showing a sense of dislocation from many aspects. Continue to play the...
Shoot the Piano Player Comments
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Charlie 2022-03-12 08:01:02
gun pianist
After watching "Shooting the Pianist", I kept thinking about a question: how did this come up? How can you make it up like this?
The background information tells us that Truffaut was inspired by an American novel "DOWN THERE". The story, background and character description follow the genre model... -
Clay 2022-03-21 09:03:26
Shooting Pianist
Although I see that "Four Hundred Strikes" is my favorite now, "Shooting the Pianist" is also moving.
I don't know if it's because I am a person who often deviates from the theme, so the most fascinating place to watch is in the farm, where the pianist and the two young and dangerous brothers...
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Charlie Kohler: [Talking to himself] Come on, come on, get your mind on something else. Think of Art Tatum. Has he got talent? And Erroll Garner? Yes, Erroll Garner *has* talent.
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Clarisse: You still sleep in the raw?
Charlie Kohler: Yes. It's healthier.
Director: François Truffaut
Language: French,English Release date: July 23, 1962