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Harrison 2022-03-25 09:01:23
The pianist's demeanor is cool, melancholy, and a little...
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Dean 2022-03-25 09:01:23
I like the picture at the end of "Shooting the Pianist". The protagonist sees the new maid and his eyes are ambiguous. Truffaut's clever use of the corner of the white wall behind Charlie divides the background into two, the left is black and the right is white. Sina Under the tide camera, Charlie is marginalized by Truffaut, part of his body has been cut out of the left side of the picture, the music is non-stop, the long shot, and the lovely FIN jumps out on the right side. Love this...
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Onie 2022-03-25 09:01:23
9.2; Space for Voiceover....
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Rupert 2022-03-25 09:01:23
Truffaut is one of the less favorite French...
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Ambrose 2022-03-24 09:03:47
It's essentially a love story, and the overall framework is very Hollywood, but when the protagonist's omniscient perspective and genre functions are removed, the movie finally completes the transformation of the rotten into the magical. Reminds me of Steve Buscemi in "Murdering the Green Toes", because you "do nothing", so even trying to escape can't get what you want. So the hypocrisy of genre films is that the most "cowardly" characters are actually heroes in the real...
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Lexie 2022-03-24 09:03:47
It's essentially a love story, and the overall framework is very Hollywood, but when the protagonist's omniscient perspective and genre functions are removed, the movie finally completes the transformation of the rotten into the magical. Reminds me of Steve Buscemi in "Murdering the Green Toes", because you "do nothing", so even trying to escape can't get what you want. So the hypocrisy of genre films is that the most "cowardly" characters are actually heroes in the real...
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Darby 2022-03-23 09:03:28
There are so many shots, I feel like entering a point of view, like flying. Such as a female violinist, such as jumping off a building, such as the flickering darkness, such as the translucent kisses and interspersed dreams in the rotating room. The conversation in the car is good, the good and the evil are blurred, and the world is right in the end, but it cannot avoid loss; those inner monologues, like Calvino. Dreamlike disappearance, dreamlike snow, now and then. Day and night have no...
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Mireya 2022-03-23 09:03:28
There are so many shots, I feel like entering a point of view, like flying. Such as a female violinist, such as jumping off a building, such as the flickering darkness, such as the translucent kisses and interspersed dreams in the rotating room. The conversation in the car is good, the good and the evil are blurred, and the world is right in the end, but it cannot avoid loss; those inner monologues, like Calvino. Dreamlike disappearance, dreamlike snow, now and then. Day and night have no...
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Leo 2022-03-21 09:03:26
The 48-minute bed lingering section was beautifully shot, and there was a final snow scene. A bare piano has another beauty. Although it is a sad story, the cheerful BGM and the two kidnappers make the film rhythm very light. Artists always hide their merits and fame, and the pianist's mouth is raised at the end, who is not a person with a...
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Merl 2022-03-21 09:03:26
Truffaut stated that his main intention in the film was not to tell a typical crime suspense story "to express all my views on glory, success, depravity, failure, women, and love in the form of a detective story." I can understand him using his second movie to talk about the mentality of a guy who just made a name for himself but I don't agree with his views on women and...
Shoot the Piano Player Comments
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Jovanny 2022-03-12 08:01:02
Feelings about "Shooting the Pianist"
A pianist who has always been underappreciated thinks that his talent is suddenly favored by the world, but unexpectedly, his wife paid the price for it. Later, in the quarrel with his wife, he just wanted to gamble and left his wife angrily, but unexpectedly made a big mistake that could never be...
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Una 2022-04-19 09:03:11
Running water, can't write a short review
17' The male protagonist and the female protagonist are walking side by side. The narration is a large segment of the male protagonist's inner monologue. The camera slowly approaches the male protagonist until the female protagonist appears, and the male protagonist has been hesitant to invite the...
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Charlie Kohler: Don't let women scare you. They are not poison.
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Charlie Kohler: Just call me Charlie.
Charlie Kohler: Okay, if you call me Léna.
Charlie Kohler: Why Léna?
Léna: Well, Helén became Heléna, then Léna.
Director: François Truffaut
Language: French,English Release date: July 23, 1962