The Cut Comments

Monique 2022-02-25 08:01:30

Ambitious, I want to say a lot, but the filming is run-on/simplistic, and the symbol setting is too deliberate and tends to be flat (a bit like reading a black book). When you grow up, Zhang Yan is a 16-year-old boy who can convince me not to challenge this kind of role. It's embarrassing, but it's a good personality. But watching the movie, the performance is great + hard work spirit is commendable. English with an accent is so cute, but you still have to work harder to play Judas well in oral...

Joelle 2022-02-25 08:01:30

The final chapter of Fatih Akin's "Love·Death·Devil" trilogy. This is also the first time Ah Jin has set foot in non-current life, filming historical chronological dramas. The first half is about the Armenian massacre in the Ottoman Turk Empire during World War I. The second half is the wandering and searching for women of a surviving man, spanning Turkey, Lebanon, Cuba and the United States. After nine deaths (through hard labor, escaped the slaughter, survived the desert, worked everywhere,...

Eldora 2022-02-25 08:01:30

The beginning was very boring, so I haven't watched it for a long time. The more I look at it, the more fascinated it is. Fatih is awesome! The history of Turkey is too...

Vincenzo 2022-02-25 08:01:30

The Odyssey in the mirror of Akin. The photography is first-rate, and I was particularly surprised by the graininess and tone of the scene of the death of my younger brother and sister. There is a huge division hidden in the creation of the text. Akin tries to write the history of the suffering of the Armenians and the light of humanity. At the same time, the solution to the difficulties encountered by Nazareth along the way seems to be too fairy tale, so that the intensity of the previous...

Helmer 2022-02-25 08:01:30

2017072 The trauma of war and the split of faith constitute a historical cut. Ah Jin continues to pay attention to ethnic minorities. The connection of blood relatives and the bondage of family and country have become the clues of the story beyond religion. Although the filming was a bit runny, the first electric shock between the male protagonist and the silent film, and the dumb call to find his daughter, are all touching and colorful passages.

Christophe 2022-02-25 08:01:30

Tahar, you are too handsome and too young to play a father who is looking for a daughter who is 18 or 9 years old after going through various wars and hardships. The soundtrack is really...

Edmund 2022-02-25 08:01:30

2015/7/3 (Fri) 14:00 Kaohsiung Cinema

Lacy 2022-02-25 08:01:30

m2161: The suffering in the first half of Armenia’s World War I is reminiscent of Sergei Parajenov’s "The Bard". The last encounter was real and lucky, his hope, her support. Ending music "Exodus"/Alexander...

Ethel 2022-02-25 08:01:30

Every single trip in the world is to find you in your lifetime. The Turkish blacksmith Nazaret suffered from the hardships of his nine deaths and traveled across the continents to find his daughter in a lonely journey. In the end, the meeting with my daughter was a bit late. The characters in the history of grand suffering struggle to find the exit of life, gasping and sobbing without making a sound, just like our inability to open our mouths without screaming in vain when facing...

Calista 2022-02-25 08:01:30

Faith Akin finally made an incision on the Turk’s secretive Armenia issue. But the filming was too verbose. He wanted to show epic scenes, but it was like a simmering hodgepodge of everything, but lacking in excitement. The front shows the suffering, and the back is like a road movie, showing the hardship and perseverance of the father in seeking a daughter. Compress the video and disrupt the structure again, it may be a good...