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Scotty 2022-03-21 09:01:05
However, I always think that there will be unreasonable things in the future. Is the FBI a fool? The boss installed the undercover himself and killed the police. The boss plans to provide the undercover to the FBI as tainted witnesses in the future? And in the end, why was Billy so uncomfortable that he still had to kidnap Sullivan and go downstairs after the police had arrived? But if there is more than one undercover agent, then he will be dead sooner or later. Anyway, he will not end well in...
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Clay 2022-03-21 09:01:05
It feels better than Infernal...
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Webster 2022-03-21 09:01:05
The Hong Kong version is good, but the standard of this film as a movie is a bit higher than that of the Hong Kong version. The Scorsese gangster film is engraved in the bones of coldness and coolness. How to deal with the climax of the ending: a shot in the past, the brain bursting out in the elevator room does not give people any respite, life is so merciless, how can there be so much time to calm your...
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Dejah 2022-03-21 09:01:05
Because it's an old horse! ! I like. And LEO, no matter how fat or handicapped, people are only actors in one day~~ Of course, Matt and Old Jack are also very talented. Mark Wahlberg is so cool to scold someone this time:) The BGM is too full, this point is...
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Torey 2022-03-20 09:01:05
The tension was not enough, so he was perfunctory, and seemed to be anxious to finish the matter. Many minor details are cumbersome, such as sex scenes. There is a big gap with the Hong Kong version. To be honest, Lao Ma’s most awesome (and possibly the only awesome) film is really...
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Jose 2022-03-20 09:01:05
We must first understand the English proverb "church rat". It is a waste of time for mice to find food in the church. The mice in the church are impoverished. In the film, Matt Damon, Xiaolizi, and the gang boss are all from the bottom of Ireland. They are like a group of mice. Even if they enter the church, they can only be used by the government to kill each other and eventually die like mice. "Infernal Affairs" tells the story of rats, "Infernal Affairs" tells the story of the...
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Kayleigh 2021-10-20 18:59:35
The Hong Kong version is more romantic and poetic, more sensational, and has a lot of unexplained bugs. The American version is more realistic, rougher and more straightforward, and handles a few small details wonderfully. Relatively speaking, I prefer the US version. The movie editing is very colorful, and the fast pan and cross montage are dazzling. In content, in addition to tragic fate, it also highlights social issues such as ethnic discrimination and class consolidation. The ending part...
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Isabel 2021-10-20 18:58:28
By comparison, you can see how gay Hong Kong...
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Schuyler 2021-10-20 18:58:27
It might be better to think of this and the Hong Kong version as two films. The two assignments handed in by different directors and actors are more local than the Hong Kong version. All the wonderful plots of the original script are retained (even part of the original script is also introduced) The setting of the second part) all Hong Kong flavors have been erased and turned into a complete American gangster film. The performance of the old drama has added a lot of points to the whole film....
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Kathryne 2021-10-20 18:58:26
There is no line of "I just want to be a good...
The Departed Comments
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Sandrine 2022-01-25 08:01:20
American French fries burger PK Hong Kong-style boutique Cantonese cuisine
Gap 1: Delicate compassion for others VS. Rough violent aesthetics. The
Hong Kong version’s entire tone is calm and clear; the US version is for fear that the audience will not know how the car exploded or how the house burned...
Gap Two: Tony Leung VS. Leonardo
how difficult is it to... -
Lola 2022-01-25 08:01:20
Cool ending
This is a story that uses truth to reveal the truth. From the material to the intention, Lao Ma tried his best to avoid telling a good story into a "good" story, lest it become a veritable "Infernal Affairs" American version of the
original script, which only serves as a bridge to make Chinese. The...
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Billy Costigan: [coming in at last from his undercover assignment] Look, I just want my identity back, all right? That's all.
Colin Sullivan: All right, I understand. You want to be a cop again.
Billy Costigan: No, no, being a cop's not an identity. I want my *identity* back.
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Mr. French: [quietly, in Costello's ear] Francis, we're ready for the sushi bar.
Frank Costello: [covered in blood up to his elbows, shouts] Jimmy, bring a mop. And a pail!