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Vivianne 2021-10-20 18:58:08
The lens is really old and spicy, and it is indeed better than the Hong Kong...
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Briana 2021-10-20 18:58:08
The localized adaptation was very successful and achieved the balance of commercial art. Compared with the Hong Kong version, it saves the outdated sections of infinite flashbacks + sensational soundtrack, and a headshot is clean and neat, but it has fallen behind in terms of rhythm control, character inner portrayal, and emotional substitution. The background explanation of the characters, the integration of the characters into the environment, and the hookup of the psychologist seriously...
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Geovany 2021-10-20 18:58:04
Parallel, cross-montage editing...
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Elfrieda 2021-10-20 18:58:01
There is something better than the...
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Nakia 2021-10-20 18:58:00
Not as good as the Hong Kong...
The Departed Comments
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Sabrina 2022-04-23 07:01:03
Lethargic opening, suspense in the play, hasty ending
The opening was really bad, so bad that I actually fell asleep. When I woke up, I actually knew the plot like the back of my hand -_-, is it that I guess the plot is too powerful or the plot is too old-fashioned? The director should hope it is the former.
The middle section has a bit of flavor,... -
Elouise 2022-04-19 09:01:06
A sense of subtle differences lingers
Hollywood bought the copyright of Infernal Affairs in Hong Kong, took the book to make a movie, and then got the Oscar. I don't quite understand. But The Departed and The Departed are different styles of the same story.
Hong Kong is more refined and sensational, and every line is carefully crafted,...
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Billy Costigan: [coming in at last from his undercover assignment] Look, I just want my identity back, all right? That's all.
Colin Sullivan: All right, I understand. You want to be a cop again.
Billy Costigan: No, no, being a cop's not an identity. I want my *identity* back.
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Mr. French: [quietly, in Costello's ear] Francis, we're ready for the sushi bar.
Frank Costello: [covered in blood up to his elbows, shouts] Jimmy, bring a mop. And a pail!
