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Bernardo 2022-03-27 09:01:20
Everyone is a liar. (The middle part is too reminiscent of...
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Delaney 2022-03-27 09:01:20
The depth of field shots in the second half, the super-complex movements of the multifocal camera are fucking dazzling. . ....
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Stephan 2022-03-27 09:01:20
The actor is really...
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Treva 2022-03-26 09:01:13
CC#216. Narrative techniques and symbolism to the...
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Briana 2022-03-26 09:01:13
God dispatched! Some scenes can be moved to the stage almost seamlessly, especially suitable for showing the rotten life. Four extramarital affairs, three farces, whether male or female, from what class; the result is unexpected, the hero who was killed. The director acted in person and said a lot of lines, "everyone lies", "who took off my animal...
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Rey 2022-03-26 09:01:13
The subtle rules between men and...
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Dagmar 2022-03-26 09:01:13
Facial blindness attacks. I can't tell who is who, and they all say that the group drama is awesome, but I can't figure out the relationship between the characters at...
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Marcel 2022-03-26 09:01:13
416 The scene scheduling is very good, but this story about the relationship between men and women, I really don't like it.
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Sonia 2022-03-26 09:01:13
8/10. The content is extremely rich, depicting the complex and changeable emotional world of aristocratic society on the eve of the war. The hunting and dinner scenes form a subtle contrast and hint: the side-moving shooting makes the actions of the servants as majestic as marching, the animals who fell to the ground with gunshots twitched and struggled, It is a metaphor for the fascists who have won the victory arbitrarily slaughtering the weak and powerless Europe in front of them. The...
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Tess 2022-03-26 09:01:13
The depth-of-field lens narrative, which Bazin is full of praise, fully embodies the aesthetic idea of "making the audience think positively". A ukiyo-e painting of the upper class in France, Renoir calmly disintegrates the sanctimonious aristocratic posture of the upper class, the seemingly serious and elegant interaction between the upper class people is actually just a ridiculous game, and the cruel hunting scene bluntly criticizes alienation of...
The Rules of the Game Comments
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Waylon 2022-03-21 09:03:14
False rules of the game
Tell a story about the moral corruption of high society, exuding a sad but lyrical flavor. In this film, Renoir successfully used the narrative techniques of depth of field and long takes.
In fact, it is also in line with the meaning of today's society that we remove the upper class. We are always...
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Jimmie 2022-03-18 09:01:08
a little summary
The master of the "French Metrology Orientation" about montage, gives the French Metrology movement a maximum poetic overallity, and also brings life to the geometric abstraction in the bright, gray-toned space without depth of field. Like a component of a whole set of machined (machinery is not a...
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Robert de la Cheyniest: Know what our little athletic display reminded me of? I sometimes read articles in the papers about some Italian roadwork trying to seduce a Polish laborer's wife. It ends in a stabbing. I never believed such things happened. But they do!
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Lisette, sa camériste: You're not mad at me?
Christine de la Cheyniest: Not at all. It's not our fault if men are all mad.
Director: Jean Renoir
Language: French,German,English Release date: April 8, 1950