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Winifred 2022-03-24 09:03:35
Awesome long lens and...
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Colleen 2022-03-24 09:03:35
Awesome long lens and...
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Bryon 2022-03-24 09:03:35
High society love is the fusion of two fantasies and the contact of two bodies. Disgusting morality. Demons, they are all...
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Camden 2022-03-24 09:03:35
High society love is the fusion of two fantasies and the contact of two bodies. Disgusting morality. Demons, they are all...
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Magnolia 2022-03-24 09:03:35
Self-deception is a tool for finding happiness from...
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Rosalee 2022-03-24 09:03:35
Self-deception is a tool for finding happiness from...
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Zelda 2022-03-23 09:03:15
Those who love themselves, are drunk and dream of death; those who love others,...
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Corine 2022-03-22 09:02:49
High society tragic...
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Zelda 2022-03-20 09:02:53
It is almost effortless to imagine how Renoir brought the polyphonic character, or rhythm, of Baroque music into the flesh and blood of the rules of the game. The cover-up, pursuit, criss-crossing, and strange friendship between the couples of cheating men and women in the film are as simple as canon but elusive. And the last shot, which shattered the Baroque and an entire era, was the well-deserved first shot in film...
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Bell 2022-03-20 09:02:53
In that unbearable world, everyone is enjoying themselves. Friendship in front of people, gossip behind people, society is at the two ends of the picture. Lies extinguish the truth, and all one can do is...
The Rules of the Game Comments
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Ottilie 2022-03-25 09:01:20
game rules
I have seen how Renoir used moving cameras instead of words to express the identity of the characters and reveal the content of the story in "The Grand Illusion", and also experienced the romantic and simple poetic reality in "A Day in the Country". Now, in the masterpiece "Rules of the Game", I...
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Esmeralda 2022-01-26 08:43:44
The Rules of the Game: Expectations Lost
Text / Quiet Window Cold Rain
1. Film and Society
In 1939, France was filled with an air of pessimism and disappointment. After experiencing the Great Depression and political turmoil, the French intellectual community, which had always advocated freedom, rationality and democracy, was increasingly...
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Octave: So you'll invite him?
Christine de la Cheyniest: I'll invite him. I don't want to be the woman who drove to despair the great hero, the idol of the masses. If his plane crashes, they'll blame it on me. They'll call me a vamp, public enemy, obstacle to progress. They'll talk about "the foreigner." And I hate martyrs.
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Octave: Christine, du bist ein Engel!
Christine de la Cheyniest: An angel?
Octave: A dangerous angel, but an angel nonetheless.
Director: Jean Renoir
Language: French,German,English Release date: April 8, 1950