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Marcelino 2022-04-24 07:01:26
Several places reminded me of Sils Maria, and later found out that the two feminist films were directed by a couple. What the heroine watched in the cinema was an exact copy of Juliet Binoche, and the heroine finally sang A la claire fontaine. After reading the wiki, I realized why the movie is full of philosophers' names and book titles. The parents of the director/screenwriter are both philosophy professors, which is consistent with the character in the movie where the heroine and her...
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Kayley 2022-04-24 07:01:26
A blowout year for Aunt...
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Archibald 2022-04-09 09:01:08
The rhythm of the film is unexpectedly "fast", and the span of months and months is a bit overwhelming. It was only after seeing the middle and latter part that I suddenly realized that on the surface, there was no great joy or sorrow, but I lost everything in my life without knowing it. This reappearance of life is too realistic and appropriate: we don’t even have time to lose what we have lost. In response, life is...
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Bernadette 2022-04-09 09:01:08
Three and a half. This is a calm and distant film, as if watching Natalie's life by the sidelines, even if you understand the details, you still can't understand her. Maybe it's the distance that exists between the director and his mother, with a sense of sympathy, appreciation, and curiosity, like she doesn't understand why her mother doesn't let her put the cat's real name in it. This mystery is fun and loving. Then there is the fear of loneliness and...
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Cassandra 2022-04-09 09:01:08
It's a bit like the setting of the "Children's Act" I'm reading. A female intellectual with a successful career is suddenly betrayed in middle age, loves her career and is facing life and death, and all the details of her life suddenly become important. I like the director's method; metaphysical philosophical discussions use long shots, crying, anger and embarrassment are stopped in one second, and the relationship with male students is on the edge of family affection and ambiguous, which is...
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Clifton 2022-04-09 09:01:08
Life is a fluid concept, there is no one-and-done choice, every period has new courses, new satisfaction, love, politics, philosophy, family affection, revolution... After disenchantment, "I" is full of love and golden light....
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Rozella 2022-04-09 09:01:08
Do women with rich spiritual world need love? No, you don't even need...
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Newell 2022-04-09 09:01:08
Very poke, like it so much! Better than her husband. Personal level: mentally ill parents, cats, allergies, partners empathizing I don't dare to say about the future, but I agree with the character of Auntie and pursue that kind of calmness. #Knowing and doing one#. To be honest, I’m a little envious (in addition, when I’m fifty, I’m going to wear a floral...
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Krista 2022-04-08 09:01:13
Generally, my biggest thought when watching this kind of film is that I really want to have a house by the sea or in the...
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Rylan 2022-04-08 09:01:13
"I want to pursue true beauty. As long as the heart is eternal, any price will be...
Things to Come Comments
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Francisca 2022-04-06 09:01:07
"The Future" script
Simple script, mainly frame and lines
Natalie revising her paper, getting off the cruise ship, heading for her family
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Priscilla 2022-04-12 09:01:09
Huppert
I really love the woman who died Pell, love her coldness, love her strength, love her determination, love her firmness and indifference occasionally ripples appear in her eyes. When Huppert sat in Ann's car and said that she was free from her mother and left her husband, you could really feel the...
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Nathalie Chazeaux: Julie is recalling her former passion, unrequited with SaintPreux . She had hope to know true bliss with him and this hope made her happy, Julie can then be happy substituting dream for reality.
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Nathalie Chazeaux: I prefer a text a bit rhapsodic by someone who thinks out of the box over the bland writing of marketing fiends.
Director: Mia Hansen-Løve
Language: French,English,German Release date: April 6, 2016