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Kaia 2022-04-10 09:01:09
Rampling's performance trickles down and is convincing. I have always believed that, like literature, the greatest charm of film comes from its ambiguity and uncertainty, which "Under the Sand" does, but not enough. At the end, the heroine ran to the silhouette of the wave, the sea breeze was cold, and the scarf was flying, but we could not see her arrival. did not...
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Antonina 2022-04-09 09:01:09
The first scene of the film, "Couples go to the bathroom and drink coffee in a coffee vending machine shop", pays homage to George Sluizer's "Mysterious Disappearance" in 1988, so that it becomes clear that the focus is not on "solving the disappearance of the husband". On the puzzle", but on "the heroine's psychological changes after her husband disappears". Charlotte Rampling's performance is...
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Cameron 2022-04-09 09:01:09
Ou Rong's films, as always, have a touch of suspense. When a habitual life comes to an abrupt end, the clues of love slowly emerge. During the process of waiting and searching, there will always be answers that you don't want to know, and the outline of yourself will gradually become clear. Beneath the sand is still endless quicksand, and the truth is submerged in it. The tighter it is, the more futile it is. The long shot at the end of the film may also be called a...
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Elda 2022-04-09 09:01:09
Ou Rong of literature. Virginia Woolf, The Waves. The ups and downs of the sun and the sea buried a seemingly happy marriage in the sand. ——People and people are always isolated islands, and it may be best not to know each...
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Briana 2022-04-09 09:01:09
{★★★☆} Bergman loves this movie to the point of watching it again and again, and I believe everyone who sees it can experience it firsthand. A graceful, brutal, and graceful film, Charlotte Rampling plumps a graceful, vulnerable, and dignified woman with incomparable temperament. I insist that there is only one undeniable truth here, and the rest is delusion or withdrawal. But like Marie, we can hold our breath of reality, wait for the flames to come out of the paper balls, the rock and soil to...
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Eino 2022-04-09 09:01:09
Aunt Xia still had her charm, and when she wore that burgundy dress, she still looked like a gatekeeper. . . Her eyes convey all Ou Rong's thoughts, mysterious, complex and full of reverie....
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Reynold 2022-04-09 09:01:09
The director is very smart and sophisticated, and he knows very well that under limited conditions, he can only create textures by enriching the characters. Unlike some conventional psychological explorations, O'Rong can naturally incorporate discussions of sexuality. Only the plot of talking with the husband and mother in the whole film is too straightforward. Interesting question, what would the story be like if all the characters were ten years...
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Leora 2022-04-09 09:01:09
The atmosphere at the beginning is well created. The picture always reveals a cold and hard feeling similar to "The Lost God". The sound part absorbs the environmental noise such as the creaking dry wooden floor, so that the dead husband is still wandering around Rampling. , while she was laughing wildly while having sex with her new lover...these depictions have a whimsical flavor. Intuitively, this film is the proof of Ou Rong's style: literary character creation and suspense type narrative...
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Dorian 2022-04-09 09:01:09
No one will fall in love with this woman! ! ! When the heroine back from the beach got her hair up, I thought she was back in her 20s in her youth! ! ! The director's grasp of the rhythm broke my prejudice against French...
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Maria 2022-04-09 09:01:09
All the flow, the shuttle, the unstoppable, the unstoppable, all make people feel...
Under the Sand Comments
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Melba 2022-04-09 08:01:05
question without saying goodbye
Thinking of leaving without saying goodbye from the film
There are 10,000 undeclared reasons for leaving without saying goodbye to the other party, and they are all the final judgments on this intimate relationship after their serious analysis and definition, so they can walk cleanly without...
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Reyes 2022-04-09 08:01:05
Under the Sand, the Mystery of Loss
After experiencing the boldness and absurdity of the first two works, Ou Rong's third feature film [Under the Sand], its image and connotation seem to have been diluted and restrained a lot. What lingers in Marie's heart is a sea, and this image has been continuously continued in the director's...
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Marie Drillon: I am his wife, and I'm telling you, this is *not* him!