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Addie 2022-01-03 08:01:40
Vulture columnist Mark Harris interviews David Fincher
The director talks about his latest work "Mank": a legend about political influence and creative behavior in Hollywood history
Mark Harris (Vulture columnist)
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Jovanny 2022-03-22 09:02:11
historical controversy
There is still a lot of controversy surrounding this film. The issue of intellectual property may not wait until brain-computer interfaces become commonplace. Put a dash cam on your brain. This problem can be fundamentally solved in the future.
Of course Gary Oldman can do everything. Just...
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Uriah 2022-03-25 09:01:12
David Fincher's most neat, serious, dull work. The threshold for watching movies is extremely high, and it is necessary to do your homework before watching, otherwise at least half of the time will be cloudy and foggy, which is too picky for the audience.
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Uriah 2022-03-28 09:01:06
In the opening few scenes, I really feel like an old movie in a trance. It's not so much a love letter to a movie or a screenwriter as it is Finch's love letter to his dad. In fact, the film is subject to a lot of restrictions, and Finch is relatively conservative in this one. But in the limited space, he still showed his accuracy and skill.
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Charles Lederer: Sorry. Somebody told me Mankiewicz was in here.
Joe Mankiewicz: He is. I'm the promising brother, Joe.
Charles Lederer: I didn't know Herman had a brother.
Joe Mankiewicz: Neither does anyone else. Let me guess. "There are millions to be made, and your only competition is idiots," stop.
Charles Lederer: How did you know?
Joe Mankiewicz: I hate to tell you, anyone who can rub three words together and make a sentence gets one.
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Title Card: In 1940, at the tender age of 24, Orson Wells was lured to Hollywood by a struggling RKO Pictures with a contract befitting his formidable storytelling talents. He was given absolute creative autonomy, would suffer no oversight, and could make any movie, about any subject, with any collaborator he wished...
