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Kennith 2022-03-21 09:01:01
did, multiple personality, split personality, transvestite, love needs
When watching this movie about psychology,
did is the primary label
Dissociative Identity Disorder (DID)
. There are two or more different identities or personality states (each has its own relatively lasting perception, connection, and way of thinking about the environment and itself).
B. There... -
Davonte 2022-04-19 09:01:01
How does it feel to be frightened by a film from 60 years ago?
Watched it at night on a business trip.
A film from more than 60 years ago actually scared me.
The most memorable thing is that the heroine was driving the car, the wipers were on, and the camera was facing her face for about ten minutes. However, in these ten minutes, the plot that happened became...
Extended Reading
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Hermina 2022-03-24 09:01:02
9/10. Revisit. Marion's and Norman's changes in perspective jointly interpret the failure to resist mind control: being molested by a depositor and peeping at the hole in the hotel wall where she changes clothes, both symbolize the objectification of women by male society, and those wearing sunglasses while driving away. The police approached Marion's eyes widening, and the flashing of exterior car lights in the heavy rain deepened the danger of rebelling against male control, proving that her money was wrapped in newspapers and the car sank into the swamp, declaring Marion's failure to challenge the laws of men. Mrs. Bates confirms the existence of motherhood by dominating her son. Owls and other bird specimens, dim and swaying lights, and low and dilapidated attic, seemingly fragmentary scenes form an image group of Oedipus complex, ending with the mother’s The skull appears on Norman's secret smile, and the mother controls the growth of men in a spiritual sense. After the murderous chaos in the bathroom, Norman returned to the room from outside the house in an orderly manner, took a bucket and a mop to clean up, and put the body carefully into the shower curtain; the detective who pressed Norman was imperative, but was quickly killed and turned over. Falling downstairs; the process of death creates disharmony in the calm scene scheduling.
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Adeline 2022-04-24 07:01:01
Next week, I will take the film study exam. Tonight, I will make up for old black and white movies. I have been asking God how good this film is in the first 3/4. It's so perfect that it can't be criticized. I accept it.) The psychological interpretation of the last few minutes is really wonderful. In that era when thinking was not very civilized, it was possible to make such a fine point. System analysis is not easy
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Norman Bates: I think I must have one of those faces you can't help believing.
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California Charlie: [Marion is imagining various conversations between the people she believes will be looking for her] Heck, Officer, that was the first time I ever saw the customer high-pressure the salesman! Somebody chasin' her?
Highway Patrol officer: I better have a look at those papers, Charlie.
California Charlie: She look like the wrong-one to you?
Highway Patrol officer: Acted like one.
California Charlie: The only funny thing, she paid me seven hundred dollars in cash.
Caroline: [Marion imagines another conversation] Yes, Mr. Lowery?
George Lowery: Caroline? Marion still isn't in?
Caroline: No, Mr. Lowery. But then, she's always a bit late on Monday mornings.
George Lowery: Buzz me the minute she comes in. Then call her sister - if no one's answering at the house.
Caroline: [Marion imagines the conversation later resuming] I called her sister, Mr. Lowery, where she works, - the Music Makers Music Store, you know, - and she doesn't know where Marion is any more than we do.
George Lowery: You'd better run out to the house. She may be, well - unable to answer the phone.
Caroline: Her sister's going to do that. She's as worried as we are.
George Lowery: [Marion imagines Lowery speaking to her sister Lila] No, I haven't the faintest idea. As I said, I last saw your sister when she left the office on Friday. She said she didn't feel well and wanted to leave early; I said she could. That was the last I saw... Now wait a minute. I did see her sometime later, driving - Ah, I think you'd better come over here to my office - quick! Caroline, get Mr. Cassidy for me!
[pause]
George Lowery: [Marion imagines another conversation] After all, Cassidy, I told you - all that cash! I'm not taking the responsibility! Oh, for heaven's sake! A girl works for you for ten years, you trust her! All right. Yes. You better come over.
Tom Cassidy: Well, I ain't about to kiss off forty thousand dollars! I'll get it back, and if any of it's missin' I'll replace it with her fine, soft flesh! I'll track her, never you doubt it!
George Lowery: Oh, hold on, Cassidy! I-I still can't believe - it must be some kind of mystery. I-I can't...
Tom Cassidy: You checked with the bank, no? They never laid eyes on her, no? You still trustin'? Hot creepers! She sat there while I dumped it out! Hardly even looked at it! Plannin'! And - even flirtin' with me!
