did, multiple personality, split personality, transvestite, love needs

Kennith 2022-03-21 09:01:01

When watching this movie about psychology,
did is the primary label

Dissociative Identity Disorder (DID)
. There are two or more different identities or personality states (each has its own relatively lasting perception, connection, and way of thinking about the environment and itself).
B. There are at least two identities or personality states that repeatedly control patient behavior.
C. The inability to recall important personal information, the extent of which cannot be explained by usual forgetfulness.
D. These disorders are not due to the direct physiological effects of the substance (for example, temporary loss of consciousness or confusing behavior during alcoholism) or general medical conditions (for example, the onset of complex parts).


A more popular explanation for the cause of DID in modern psychology is roughly that: when an individual experiences a huge and unbearable trauma, it may derive a second or even multiple personalities to help the individual bear these things. It is often related to the experience of sexual abuse in childhood. Different personalities of DID can be converted to each other, and they can have different temperaments, personalities, preferences, age, gender, intelligence level, voice intonation and even handwriting, but in reality DID is often not as magical as in movies.

At the end of the film, a personal commentary by an expert in psychology is used to
explain the multiple personality or did of Beth
Originally, after the death of his father, Beth, mother and son, lived a peaceful life on the basis of inheritance. Although the mother was a bit bossy, the two lived by mutual dependence. Later, his mother met a man, and Beth felt that he had been abandoned by his mother and couldn't stand the stimulation, so he killed his mother and lover. But at the same time, Beth felt an unbearable guilt in his heart, so he smuggled his mother's body out of the coffin and put it in the basement after doing considerable embalming. In this way, the mother is still "alive", at least that's what Beth thinks. But the mother only has a corpse, so Beth often substitutes himself into his mother. Sometimes, he will become two people and can have a conversation and imitate his mother's voice. Sometimes, it becomes a mother completely. When Beth becomes interested in a female guest living in a hotel, the "mother" will go crazy and kill the female guest.

In other words, after Beth kills his mother, he actually has a dissociative identity barrier.
When he has desire or impulse for women
, the "mother" in the body will come out,
and when Beth kills someone impulsively, Beth will recognize this as the so-called "mother".
And in the last scene when Beth tried to commit a crime,
we saw that his dress

can actually bring out "transvestism".

This movie can also be analyzed from the needs of love.
So everyone also represents different personality characteristics.
Sister, boyfriend, The detective, the sheriff
also showed an unsatisfied state of love needs in the relationship between the heroine and her boyfriend in the opening movie.

View more about Psycho reviews

Extended Reading
  • Laura 2022-04-24 07:01:01

    The works of the 1960s almost killed the same type of movies that are currently on the bad streets. However, to put it another way, maybe the people behind him imitated Hitchcock too much. Although limited by the times, many shots lacked the corresponding technology and skills. Ability, but still create new content under limited conditions, it is already great to be able to do this.

  • Graham 2022-04-24 07:01:01

    #金马54# Except for the bathroom scene, this is the first time I've watched this classic and I don't know the plot. The process of looking up at the front row of the giant screen was so cool. It was controlled by Hitchcock's superb skills and waited for the suspense to be revealed. Several strange paragraphs The camera movement, especially the exposed psychopath's distorted jaw on the screen, is the most shocking, and the later Bell and Garfield are like him, the Bates Motel and the end scene. The grim face.

Psycho quotes

  • Norman Bates: I think I must have one of those faces you can't help believing.

  • California Charlie: [Marion is imagining various conversations between the people she believes will be looking for her] Heck, Officer, that was the first time I ever saw the customer high-pressure the salesman! Somebody chasin' her?

    Highway Patrol officer: I better have a look at those papers, Charlie.

    California Charlie: She look like the wrong-one to you?

    Highway Patrol officer: Acted like one.

    California Charlie: The only funny thing, she paid me seven hundred dollars in cash.

    Caroline: [Marion imagines another conversation] Yes, Mr. Lowery?

    George Lowery: Caroline? Marion still isn't in?

    Caroline: No, Mr. Lowery. But then, she's always a bit late on Monday mornings.

    George Lowery: Buzz me the minute she comes in. Then call her sister - if no one's answering at the house.

    Caroline: [Marion imagines the conversation later resuming] I called her sister, Mr. Lowery, where she works, - the Music Makers Music Store, you know, - and she doesn't know where Marion is any more than we do.

    George Lowery: You'd better run out to the house. She may be, well - unable to answer the phone.

    Caroline: Her sister's going to do that. She's as worried as we are.

    George Lowery: [Marion imagines Lowery speaking to her sister Lila] No, I haven't the faintest idea. As I said, I last saw your sister when she left the office on Friday. She said she didn't feel well and wanted to leave early; I said she could. That was the last I saw... Now wait a minute. I did see her sometime later, driving - Ah, I think you'd better come over here to my office - quick! Caroline, get Mr. Cassidy for me!

    [pause]

    George Lowery: [Marion imagines another conversation] After all, Cassidy, I told you - all that cash! I'm not taking the responsibility! Oh, for heaven's sake! A girl works for you for ten years, you trust her! All right. Yes. You better come over.

    Tom Cassidy: Well, I ain't about to kiss off forty thousand dollars! I'll get it back, and if any of it's missin' I'll replace it with her fine, soft flesh! I'll track her, never you doubt it!

    George Lowery: Oh, hold on, Cassidy! I-I still can't believe - it must be some kind of mystery. I-I can't...

    Tom Cassidy: You checked with the bank, no? They never laid eyes on her, no? You still trustin'? Hot creepers! She sat there while I dumped it out! Hardly even looked at it! Plannin'! And - even flirtin' with me!