Pulse

Kailey 2022-03-18 08:01:01

I remember that I was quite disgusted with the animation "Evangelion", which is said to reflect the postmodern survival values. The reason is that as long as the children in it are not very happy and have some psychological problems, they will make trouble all over the world. On the level of...

Freddy 2022-03-18 08:01:01

2001 was a magical year in cinematic history, with directors seemingly refocusing on what they knew best after a collective frenetic portrayal of the millennium apocalypse crisis. However, Kiyoshi Kurosawa, who has always been stern and restrained, went the opposite way, and still took the trouble...

Anibal 2022-03-25 09:01:23

8.0/10. ① Ghosts invade the world through computer screens, resulting in an empty city of Tokyo and the escape of the male and female protagonists from Tokyo. Reflects the loneliness of modern Japanese society. ② Creation of a creepy and oppressive atmosphere: dark spaces; unnatural local lighting (and the resulting shadows of people) in dark spaces; claustrophobic spaces; fading yellow tones; overall slow and restrained narrative/editing/ Performance rhythm and fixed or slow camera movements; various sound effects designs and enhancements (natural sound/soundtrack/etc); mid-range and panoramic shots where people appear small; foreground occlusion + ghostly silky follow shots; flickering lights; etc. . ③ Horror clips: the female corpse who suddenly jumped off the building, the ghost that jumped and cut to the fourth wall, and the black shadow of the killed person melting on the wall. ④The rhythm of narrative/editing/performance/movement of the camera all has a sense of disorder of fast and slow; the main emotional movie plays two-line parallel narrative, and the continuous crossover also greatly disperses the emotional flow of the image (the problem is similar to Cai Mingliang's "River" ).

Pete 2022-03-20 09:03:09

Use the Internet to irony the pervasive loneliness—a feeling more terrifying than death. Death is ignorance after a moment, loneliness is eternity after a moment. I mistakenly thought that this was just a commercial horror film. After seeing the estranged performance and interaction, I realized that the essence is the anti-type under the literary and genre. And the second half of the story is closest to the feelings of Junji Ito and the whirlpool. That slow-motion female ghost approaching is one of the scariest scenes I've ever seen.