Many things need to be compared in order to draw pros and cons. Some people say that "Ip Man" cannot be compared with "Mei Lanfang" because they are not of the same type, one is literary and the other is purely martial arts. So from another angle, as a biographical film to compare it? Obviously, "Ye" is better.
A certain classmate was very excited to watch the "Ye" trailer after it came out. After all, the combination of Donnie Yen and Sammo Hung still has some bright spots. The names of Huang Feihong, Huo Yuanjia, and Ma Yongzhen have been heard a lot, but it is estimated that many people, like me, will stupidly ask why this film is called Ye Wen when they see the trailer. Ha ha. Well, I've been despised. As I said just now, I don't like martial arts films, so I really don't know enough about them. If you don't understand, you have the urge to ask for it. Watching CCAV6's "Premier" a few days ago, martial arts instructor Sammo Hung said, "Who is Ye Wen, you will know after watching the film." Then I heard that the box office was 1400w on the first day of the premiere, so I was brought into the cinema.
"Leaves" is indeed a good film. (Nonsense, no, I'm too lazy to write any bullshit movie reviews in the middle of the night. Let's lay it out.) It made a qualitative change for me who didn't like Donnie Yen, and it made me, who didn't know Ip Wending a little bit, like the neat and neat chant. Spring Fist. The point is, from the beginning of the whole movie, Ip Man's image is shaped very plump. When you are rich, you are not delicate, and when you are down, you are not humble. And those who love to show off seem to be looking for a golden mountain. I don't know that a mountain is still a mountain high, and the fate is obvious. After watching "Ye", I deeply felt how precious low-key is. When classmate Zhen beat the handsome Japanese boy Hiroyuki Ikenai into a coma, he looked at the folks cheering for his victory in the audience empty and melancholy, but there was no joy after the victory in his eyes. That close-up long shot was too long. It's emotional. Then the applause in the theater sparsely sounded. I guess everyone would want to stand up and cheer. Two words, happy! Of course, in addition to the fighting scenes, there are also humorous scenes. The cutest was the first competition between Ye Wen and Jin Shan. When the battle was in full swing, Ye Zhun boy rode a tricycle and said slowly, "Dad, Mom said that if you don't do anything, everything in the house will be rotten, and then went back to the back room after a circle. It's so cute. As for Xiong Dailin, who was concerned by the outside world, her performance was mediocre, and her eyes were so wide that I wanted to help her pick it up for fear of falling off.
In contrast, "Mei" has no exciting paragraphs, nor too interesting scene dialogues. And the three-stage connection is too stiff. Only the young Mei Lanfang played by Yu Shaoqun and Sun Honglei, who was a bit overwhelming. Anyway, since the dawn of the game, it seems to be discouraged. The charm between the eyebrows is gone, and the graceful figure on the stage is compared with Liming's small round waist. Even a fool knows that it is a substitute, too fake and too fake. Even Yan Geling's screenwriter was a little disorganized and couldn't do it in one go. Although the film is long, it ends up thinning down, which is disappointing.
After all, Ye Wen and Mei Lanfang are both gentle people. It's just that the key to success in the film is to capture the sparkle of humanity. The screenwriter, like martial arts, not only has a punch and embroidered legs, but also has a terrifying momentum.
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