I really don't understand space art films that make a fuss

Lilla 2022-04-24 07:01:04

Why is everyone talking about the depth and disappointment of this movie? Doesn't anyone think there's a lot of unreasonable and logical things going on here? A space monkey that pops up aboard an unmanned spaceship kills. How is the strange monkey still alive? How to breathe? Did you get the test done? Suddenly adding this paragraph just to show the cruelty of human space experimental animals? I don't know anyway. And what about Pete sneaking into his original ship and NASA ordering the crew to get rid of him? How is it possible that a large high-tech national enterprise would directly issue such an order? Just because he sneaked in and didn't want him to be part of the trip? Do the same as the underworld boss. And as a scientist, the crew member is also a colleague, just like taking medicine, he directly changes sex and takes a gun to kill him, what the hell? Does killing mean killing? Ordinary criminals wouldn't say that killing is so easy. Those are scientists who carry knives and guns into space? The Japanese crew and the black girl are the same characters as the background wall from the beginning. It's funny that only when you enter, you show your character characteristics. The whole play is like Pitt's self-reported play. It has always been his self-reporting. Others are no different from the background wall. What is the theme of this play? Explore the excessive exploration of human beings to break the balance of the universe? Or explore the loneliness and distortions of human nature in space life? It's just that the father's work has not returned home and disappeared, can the male protagonist's fragile heart be hurt for a lifetime and even affect his character and his life? The tolerance is too bad. What about so many fathers who run away from home or abandon their wives and children in real life? Do kids grow up like this?

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Extended Reading
  • Michelle 2022-03-23 09:01:37

    Gray is indeed a literary director in commercial films. The grand universe once again shows the blurred, boundless, and lost temperament like Amazon. I really like it. If Gray continues to shoot like this, he will become the next Malik.

  • Deanna 2021-11-22 18:54:14

    Film-noir monologues are inevitably superfluous, but they also invisibly lay the engine that drives the entire film. As a "traumatic detective", Pete calms the contradiction between existence and annihilation in the search for the vast sea of ​​stars, and ends the troubles. After his own "obsession case", he finally completed self-healing. Celestial bases and space stations are both clue locations, carrying types of entertainment functions, just like western gold rush stories or hard-core detective novels, just like common signs in works of the same theme in recent years. The infinite freedom of space in geometric modeling and spiritual sustenance gave Gray a new possibility to analyze and explore the materialization of the inner image of the characters, and no longer follow the trekking in the cities and jungles of Coppola and Herzog, which catalyzed it. The organic evolution of space and roles is unified into a more advanced audio-visual life, which can be seen from the conservative perspective of countless helmets, hatches, and pilots. The shining stars still emit classicism.

Ad Astra quotes

  • Roy McBride: Captain, I have a small oxygen leak in my suit, I'm just gonna check my patch.

    Captain Lawrence Tanner: Have fun back there. We'll let you know if we spot any ETs.

  • H. Clifford McBride: Home?

    Roy McBride: Yep.

    H. Clifford McBride: This is home. This is a one way voyage my son. You're talking about Earth? There was never anything for me there. I never cared about you, or your mother... or any of your small ideas. For 30 years... I've been breathing this air, eating this food... enduring these hardships... and I never once thought about home.

    Roy McBride: I know, Dad.

    H. Clifford McBride: I knew this would widow your mother... and orphan you... but I found my destiny. So, I abandoned my son.

    Roy McBride: I still love you, Dad. I'm taking you back.

    H. Clifford McBride: Hmm... I have work to do. I have infinite work to do. I must find intelligent life.

    Roy McBride: It's time to go. We don't have much time. Come on.