First saw the movie title: Human Removal Project. Holy crap, such an awesome name, I instantly think of the human completion plan in God's EVA, anti-human, philosophy, Bible, blood and other settings, this must be a magnificent liar.
After watching the movie, hehe, this is the only grand setting.
This script is sorry for such a grand name.
It's purely a killing horror movie, just like death is coming, you don't know why you want to kill people, why people die.
If there is no story, there is no moving, the villain is dead, you don't know why he picked up the butcher's knife.
We often say that villains die when they talk too much, but the villains who die without speaking have no sense of existence.
If a movie only pursues coolness, it's like making a gun. After taking off your pants and doing something, you will only feel empty, and there will be no nutrition left in it.
The most valuable part of the whole film is only the news broadcast at the beginning and the end, explaining this policy in the United States and the reaction of other regions, trying to elevate the style of the whole film to be worthy of this magnificent name.
Then it turned into a house horror movie.
There are no human beings (if you think the dozen or so people count), there is no plan (the plan only appears in the narration), there is only clearing. The primary school Chinese teacher said that the title of the film is so far off topic. Simply: "Killing Night" or "America's Good Neighbor" is more appropriate.
PS: By the way, let’s complain about the next 2, 3, and 4. Old J looked at the introduction, and he really had a piss with the god of death. Under the same setting, different stories were written, and then the protagonists were different.
Dare sequel is a sequel? When the protagonist dies, does the family abandon it? Director, if the sequel can continue to play the role of the previous protagonist, I am still a little interested in pursuing it. What a hero to fire a shot for a shot.
This money is so good!
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