The hue is not as green as this movie poster. The most influential color is the set of heirloom boxes JLW - orange yellow, followed by blues.
Filmed in India, this film has a concave-convex, saturated color oil painting feel, and the lens is obviously far and near, stretched, and panned, making the picture more deeply imprinted into the eye socket. I saw the Grand Budapest Hotel a few years ago. It was symmetrical to the point of being rigid and flat, but it didn't have the extension and dynamic feeling of a road movie. The most recent Indian clip I've seen is a small funeral from "I'm Not a Medicine God"—smoky slow motion and bells. There are two funerals in this film - the father of the three brothers and the little boy who was not rescued. The contrast appears, which is a sign of the change of the protagonist's state. This soul journey through Darjeeling, whether warm or sad, makes people comfortable and calm.
Big brother always said, "Let's take a look at the itinerary"
Later, angrily wanted to tear it up.
There is no return ticket for this journey of life, there is no established itinerary, blue and orange, cold and warm, if you can't catch up, then throw it away, go after it, go after the train that doesn't turn back.
At the beginning, the uncle (Bill Murray) who is driving the car, I thought it was the protagonist. The three brothers are a family. They have no complicated emotions. When talking about trust or distrust, they think they are three naughty and stubborn brothers. I don’t know if the colors are too eye-catching. Under the special impression, probably all the love between them melted into the scene.
It's not a video that gives you answers or throws out opinions. If it allows you to think more broadly, the 90 minutes of Pinpin is worth it.
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