Three and a half.
Telling this kind of story without context at all can certainly add to the satisfaction of improving the completion of the story later on, but I feel very uncomfortable in exotic music right now. The bad lines and shots, and the background music that I couldn't stand, almost killed the movie. I wait for the detached male lead to detach from this movie. Characters that are completely polarized or even impossible to exist in past films explode through unreasonable events. But I have to say, it wasn't a success. Some neurotic comedy, poor substitution, for me. The later soundtrack is still acceptable. The story is slowly moving towards a connotative soothing. Getting along may be the greatest poison and the greatest remedy. Some traces and meanings are not very obvious inserted into the narrative, and the progress bar fast-forwards for no reason. The slow motion of the stroke of magic.
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