However, the assignment distinction is not important. As long as it's not too different, it's fine not to mix up baroque and atonality. After all, time is gradual, but this sense of palace is occasionally slow and solemn, and occasionally brisk and elegant music comes out. I still have no choice but to think that this is Baroque.
This is probably the most baroque movie ever. Although, this is a story about a liar. But the liar will duel, the liar will love, and the liar will be deeply loved by the person he has deeply broken.
Nothing is inevitable, it is the past, the past. However, this is also their, the only era, the only love.
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