I think it looks better than Mulholland Drive

Derick 2022-04-21 09:01:47

After reading the comments of many people, there are a few questions first: 1. The time and space sequence of the police has always been in the same order: arrest Fred, trial, find the prisoner changed and release, follow Pete, find Pete killed Andy, chase fees Reid, it doesn't seem like a fantasy, but it makes people feel that there is a sci-fi element in it. Note that the police said at the scene of Andy's killing: The photo is of Dicroo, Andy, and Fred's wife. Pete's fingerprints are everywhere at the scene. It can't be such a coincidence, right? 2. When Fred told his wife about his dream, when he woke up, he saw his wife's face in the dark, not the devil's face, but Dicro's face. 3. What did Pete's parents tell Pete about that night?

At the beginning, there was a feeling that maybe not like most people thought, Fred imagined Pete, but Pete was the main body, what he experienced was the reality, and Fred was his split a character out. Or, Fred and Pete are both real characters, just like the man Pete's parents said, maybe it's Fred. In the film, the demon said at the cabin: She is Rene, and she is lying when she says she is Alice. So I wondered if Renee was Fred's wife and Pete's lover, and was an pornstar and a prostitute, and when Fred and Pete knew she was cheating on their relationship at the same time, they The person who dismembered her and filmed the dismemberment process was Pete. Of course, there is no special basis for saying this, just a feeling.

Also, a person's spirit can be split, so why can't he think he is another person? Could Fred and Pete be two real people who think they are each other? Or did Pete think he was Fred?

But in any case, there is no proper explanation for Fred's transformation into Pete in prison. It will take a few more readings to get a clear understanding. Rebuttals and corrections are welcome.

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Extended Reading
  • Isobel 2022-03-26 09:01:04

    Rewatch. Six-star movie, postmodernist model. Lynch's image points to the future, and any psychological deconstruction is useless. Imagery is perceptual, and as we hit the dark road with David Bowie's I'm Deranged, we've become jazz musicians in a frenzy. Sexual, violent, bizarre, we're madly absorbing Lynch's video drug, turning off the sun, and pulling the stars down from the sky. Death and fear surround us. The change of identities between maintenance workers and musicians, the death of Dick Lauren, "true and false when false." We can't tell the difference between the real and the fake, let alone know the boundary between the real and the fake.

  • Maudie 2022-04-24 07:01:05

    0812 Big screen rewatch. The corner of the theater in the middle of the night feels a little scary but still charming. His movies are "flying big" style in my heart, the green and red are wonderful and suffocating. I really like this one, it has a lot of aftertastes, and the structure is interesting. It's hilarious to see Manson.//I look at the disparity between the human brain and the human brain.

Lost Highway quotes

  • David Bowie: [singing] Funny how secrets travel...

  • [laying on the ground with his throat slashed by Fred and the Mystery Man]

    Mr. Eddy: [gagging from his bloody throat] What do you guys want?

    [the Mystery Man pulls out a hand-held Watchman TV and gives it to Mr. Eddy who looks on it to see an interior of Andy's house at night with with Mr. Eddy and Renee watching a snuff-porno film while fondling each other beside the projector. The image suddenly changes back to Fred and the Mystery Man standing before him in the frame]

    Mystery Man: Now you can hand it back.

    Mr. Eddy: [as he hands the portable TV back] You and me, mister... we can really out-ugly them sonafabitches. Can't we?