Record it, and understand a little bit of "Eight and a Half". What I understand is the relationship between Quito and his wife and the women around him. Today, at the Fellini Film Festival, he was forced to sit in the cinema to watch it, and he did not lose his mind in the middle. After watching "The Road" in the morning, Xiongfeng mentioned the relationship between Fellini and Masina: although Fellini has been slag, but they are not divorced. Combined, the imaginary flogging of a woman in the latter part of "Eight and a Half" made me realize. The wife came to the nursing home and showed her support to her husband in front of her friends. The emotional separation between the two was the first time to describe the parties through the eyes of the wife. Next, the mistress appeared, and when Quito saw the mistress, he immediately covered his face with a newspaper. The sixth sense of the wife and girlfriend immediately sensed the breath. The wife became angry. I have complained about this woman's frivolous dress, and men are often attracted by such "prostitute" women in terms of x. The wife becomes angry, her apparent calm is shattered, staring at her mistress accusing her husband of cowardice and evasion, she rejects the admirers around her, unable to understand her husband's cheating behavior. This Shura field ended with his wife inviting his mistress to dance, and Quito watching with his legs crossed, and he immediately entered Quito's imagination. In this imaginary, all the women around him revolved around him, just like bathing him when he was a child. The women praised him, admired him, and depended on him. He was the symbol of power for these women. But his ruthlessness towards dancing girls collapsed his image, and the women who took advantage of him recognized his ruthlessness and cursed him. He took the whip and whipped his women, desperately trying to maintain his masculinity and status. Only the last scene scolds his wife for still staying by his side, serving him like a servant, praising him. Maybe this can see what Fellini thinks of Masina in his heart.
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