Unlike another recent work, this film has no romantic and blurry atmosphere to obscure the horror itself of the story. The funny music that often plays in the first half reveals irony and banter, and the second half is the continuous vigorous growth of desire. Struggling with each other in the quagmire of sin, the tone is increasingly cold and severe, and it is almost possible to see how lust can turn a European intellectual into a villain. On the other hand, the integrity and autonomy of each character, whether it is Lolita's mother, Quilty or Lolita, are all about the full display of their own will to live, and this kind of comprehensiveness and fullness is another Nothing in one. And this and the understanding of the story lead directly to the most crucial sublimation part of the ending. The other one is very weak and is just a continuation of the plot and sentimentality, while this work really sees the selfishness and despicability of an old man lost in lust. The ignorance and devotion of all the stupid, pitiful and pathetic feeling is not only the struggle and confusion of every character in the story, but also the bewilderment of bystanders about the power relationship beyond love or not love at all. , so that the final revenge against Querty exists as a dying struggle and self-salvation of the fate of life, rather than simply still falling into the category of simple love and murder, and only in this way can it be worthy of the opening sentence of the full text "My life Light, my sin, my soul, Lolita." After all this, the elimination of the traditional European elite culture by American popular culture can at most count as an additional cultural background of pity, whether Quelty is a character From the comparison between the original work and the later work, it has been detailed and enriched to a great extent, and the narcissistic appearance is evil and ironic.
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