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Tabitha 2022-03-22 09:02:01

The sequence is loneliness and carnival, illness is irony and criticism, and breaking is reflection and introspection. While satirizing the numb reality of the Japanese government, it inherited the technique in "Rashomon"-constant flashbacks, restoring a Watanabe who was dying, and depicting the "outsider" written by Camus. The image of the second son also made Akira Kurosawa's portrayal of the characters more profound - inspired the later "Seven Samurai".

Eula 2022-03-25 09:01:10

Still a strong sense of shape. The exaggerated acting skills of the crowd really ruined the movie, and even Shimura Joe was not immune. The last paragraph was good, but the actor lost his appetite. The exposure and satire of the bureaucracy tends to be superficial, which shows that Akira Kurosawa and his two screenwriters are really pretending to understand, which directly leads to the fact that once he involves social themes, it is almost inevitable that he must speak big truths, and sometimes even Ignoring reality can force dramatic conflict (heaven and hell). The world is too complicated for him to reach at his level. But having said that, all of these are perfectly fine if they are put into period dramas, which is why the Seven Samurai, Rashomon, Yuxinbang and Tsubaki Juro are obviously much more comfortable, and it can even be said to be seamless. This is a major limitation of Akira Kurosawa.