Russian version of Nikita

Aurelia 2022-04-23 07:03:18

The colander in the whole film is still very large, and there is more than one. How can the KGB just kill or bury it when doing things? If you kill someone in a hotel, you must at least dispose of the body and make it look like you are missing. The difficulty of killing lies in how to get close to the target and let the target relax. Be vigilant, the old gun can only be said to be specially set for the coolness of Anna's children's shoes. Even if the silencer is installed, the gunshot is very loud. Sending a gun into a hotel is such a hassle, it's better to put some poison in the agent's fingernails. In fact, the agent can skillfully cut the target's carotid artery with a fruit knife on the table. The last two men both Not confirming whether Anna's body is her own is not at all in line with the rigorous style of an agent. A low-level agent wins living space between the two major spy organizations, and the comedy ends, but this can only be done in film and television dramas. The overall rating is 1 star and 1 point. The female leader is actually another Anna with her personality and pursuit. The plot is chaotic in flashbacks many times.

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Extended Reading
  • Braxton 2022-01-05 08:01:56

    In a movie that is getting better, the agent Mao Mei sleeps in KGB and then slept in the CIA. She is well versed in chess and decides not to be a chess piece. In order to gain freedom, she becomes a human-shaped dung stick and stirs U.S.-Soviet intelligence. The department was battered and bloody; the ending was reversed repeatedly, making people astounded! Although Luc Besson has regressed in his directing ability in recent years, he has maintained a high level in the selection of the heroine as always. Several passionate scenes have fully revealed the French style, romance and wildness!

  • Christelle 2022-03-25 09:01:14

    Two hours is really tormenting. The original story can be told in one hour. The director has a lot of fun playing with reversal and non-linear narrative, not only grinding, but also very annoying. The story, based on the identity background of the heroine Anna, has been going around in circles for fun. She is a supermodel and a killer. She sacrificed smooth storytelling in exchange for fragmented formalism. The action scenes are few and rough, and the logic bugs are everywhere. The heroine who hangs, the bullet with eyes, and the use of technology that is not in line with the times, cheap reversal, meaningless flashback, I am afraid that the audience will not know, the structure and gameplay are really stupid, the heroine deals between two men and one woman , Murder is not the point, and the freedom of desire seized the opportunity. Luc Besson is really degenerate, like handing over a student homework, the times are changing, and the techniques are going backwards. No wonder his film company lost money and was acquired, right! ★★

Anna quotes

  • Anna: [after beating up a model photographer] It's a wrap.

  • Anna: [climbing into bed with her soon-to-be lover] It's only for tonight.