The family of thieves, despite their reputation, is actually difficult to match, not to mention Yasujiro Ozu, the gap between Yoji Yamada and Yamada is too big. The management is very deliberate. From the beginning, every character is immersed in a trance of self-movement, which is uncomfortable. The actor's shaping of the character reminds me of the thief of the years. The clear eyes of professional actors can't be hidden, and you can't see the cloudy eyes of the real people at the bottom. Except for the little girl, because of her young age, she has the advantage of undeveloped intelligence and left a lot of impressive moments.
Of course, this is not just a problem of the actors. The script itself has too much beautification of the state of the marginalized. It is a pale ideal with few convincing details. . What is more ridiculous is that these characters end up in a semi-aphasia (although it can be understood as omitted) in the spotlight, which is obviously given on purpose, and their self-confidence, intelligence, expressiveness and emotional abundance are obvious, and they are not at the mercy of fate. s. I feel that this is the consumption of materials for marginalized people. The able-bodied cannot be inspired by such an outdated revelation, but it may have some educational significance for Chinese netizens who want to beat people to death for stealing onions.
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