full of tears

Lolita 2022-04-19 09:02:12

Although this movie is old, it is a classic, and it was brought into the plot unconsciously. Looking at the characters in the play from the perspective of onlookers, the play is full of tears. 1. The two old people are sitting on the beach in Atami chatting and discussing whether they prefer their grandchildren? Actually not. Why do parents prefer their grandchildren, not because of the next generation, but because we have changed, and they see the shadow of our childhood in the grandchildren.

2. I was so sad that the two old people didn't know where to go that night when they came back from Atami. When we were young, we never felt that we would bring trouble to our parents, but when we were old, our parents were careful not to trouble their children. Thanks to Kiko (the second daughter-in-law, the second son has been dead for eight years) for not showing the slightest disgust when the old lady went to the boarding house. Instead, she did the filial piety that her own children did not, and also made the old lady feel the warmth.

3. The two old people were going home, and the son and daughter went to the station to drop off. The old lady said that she had seen it in Tokyo this time, and it was so far away that she would not have to go back if something happened in the future.

4. After the two old men got off the bus in Osaka and met Jingsan because the old lady was uncomfortable, the old lady said that she could see Jingzi when she went back. She saw all the children in ten days, with a satisfied expression on her face. Looking back at Jingsan, because his parents suddenly got out of the car, he expressed his dissatisfaction with the temporary borrowing of the quilt. I wonder if Jingsan regretted not being able to see his mother for the last time.

5. After the old lady passed away, the old man kept responding to his children with "そうですか". He should feel desolate in his heart. The children have grown up and have people and things that they care about more, but his wife left first, leaving him alone to sit under the roof and slowly get used to the life of a person.

It took a long time to calm down after watching the movie. I really want to say something to the young people who are wandering outside, go home and watch more, and spend more time with my parents. Finally, I hope that the elderly all over the world will be able to depend on them in their old age.

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Extended Reading
  • Newell 2022-04-24 07:01:14

    The first is to praise the composition, coupled with the low-position photography, the picture is beautiful and full of tension. The second is casting. Setsuko Hara's real face is that kind of gentleness to others, while the eldest daughter is mean and acerbic. The second daughter is ignorant of the world, and the old man and the old lady are also very close to life. When I watched it, I thought of my grandparents. Others said that their sons were doing well, and they were very promising, but when they went to the city where my sons lived, my aunt was basically taking care of them, and the sons were too busy. , suffering from life, I can only accompany them on weekends. After my aunt left, I usually go out to eat. The whole old man was miserable. The last meal he went home was eaten by his second son. The child wants to support but the parent does not wait, I hope that I can use this article to wake up myself and treat my parents kindly.

  • Marjolaine 2022-04-24 07:01:14

    Noriko herself seems to have stopped growing after her husband was recruited, and she is still so kind in her heart.

Tokyo Story quotes

  • Osamu Hattori: Remember the governor's visit to Onomichi?

    Sanpei Numata: At Takemuraya?

    Osamu Hattori: You got drunk. That young geisha who served...

    Sanpei Numata: Umeko?

    Osamu Hattori: You liked her, didn't you?

    Sanpei Numata: And the governor happened to like her too, remember?

  • Sanpei Numata: Look, Hirayama. She resembles someone, doesn't she?

    Oden-ya no onna: There he goes again.

    Sanpei Numata: Don't you think so?

    Shukichi Hirayama: Well, who?

    Osamu Hattori: Yes, she does. That young geisha.

    Sanpei Numata: Oh, no! She was fatter. This one resembles my wife.

    Shukichi Hirayama: Yes, you're right.

    Sanpei Numata: See, especially here.

    Oden-ya no onna: Why don't you leave? You've had enough.

    Sanpei Numata: And both are bad-tempered.

    Oden-ya no onna: You're a real nuisance.

    Sanpei Numata: My wife says so too.