don't tell her

Taryn 2022-04-22 07:01:41

I tried very hard to get close to the reality of Chinese society, and chose the Northeast where development is somewhat lagging behind. From this point of view, it may be a compromise for American audiences, because in the front line, in more developed areas, it is becoming more and more difficult to have such a three-generation family obsession. Generally speaking, the Chinese culture I see is positive and free, with each other interfering with each other.

Everyone in the movie seems to be a little traumatized

A shy mother and a father who has low self-esteem and hesitation are like typical immigrant parents. After 25 years of hard work, he was ridiculed by relatives for failing to catch up with China's rapid development. The house sold in Beijing has multiplied several times in more than 20 years.

Traditionally, the eldest son who stayed in Japan has a feeling of Guo Jubu'er. He is the person who has the mantle of an old lady the most. He places his wife in the country, arbitrarily manipulates his son's life, and finally weeps in narcissism at the wedding, which is sad and deplorable.

The daughter was taken away from the motherland since she was a child, and lived with difficulty on the other side of the ocean. Every step was a difficult gamble, and she struggled alone. She did not have the introverted motivation of her parents, but found herself in her family.

In contrast, after the war, the revolutionary old people seem to be the most normal people. Everyone understands that people like grandma sometimes hold it in one breath and immerse themselves in the social personality of grandma and eldest son. Maybe they don’t think, but they are happy in a simple life. There are those who are awake and struggling in pain.

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Extended Reading
  • Burdette 2022-03-26 09:01:09

    Can understand what the director wants to shoot, but the director's identity as a Chinese-American, and the plot scenes that satirize China in the film are also revealing that she does not understand the culture of Chinese sophistication. She is still shooting Chinese society from an American perspective. Of course, this may be the reason why she is "popular", and it also indirectly proves that the China she shoots is for foreigners, not Chinese, because most Chinese people will be "unbelievable" and "slightly angry" when they see it, and they will give feedback that this is not our real life. Although we do have our own social problems, contradictions, and conflicts, it is not as narrow as the interpretation in the movie. The director's ending point is still to promote the American spirit in a low-key manner, which really makes me feel the limitation of her cultural field. In fact, I think it would be more appropriate if the director could concentrate on filming the real life of overseas Chinese overseas. Finally, I'm really a little worried that this kind of "weird movies" made by Chinese people in China are being hyped overseas. Is it really good for the world to understand the real image of China? Such an unobjective and one-sided interpretation of China will make more foreigners misunderstand us.

  • Jermain 2022-03-25 09:01:14

    Three and a half. Don't look at the overall blandness, but in fact the emotional point is very accurate. It belongs to the type of film that does not have unique directing skills but tells stories in a down-to-earth manner. Don't ignore the difficulty of shooting because of the simplicity of the plot. In comparison, it must not be comparable in fact, but this is indeed the one closest to Ang Lee among so many Chinese directors. The last ten minutes, from Awkwafina running down the street to the end, are especially well done.

The Farewell quotes

  • Billi: [frustrated] Are you going to tell Nai Nai?

    Haiyan: I can't, Billi. I won't go against my family.

    Uncle Haibin: Billi, there are things you misunderstand. You guys moved to the West long ago. You think one's life belongs to oneself. But that's the difference between the East and the West. In the East, a person's life is part of a whole. Family. Society.

    Uncle Haibin: You want to tell Nai Nai the truth, because you're afraid to take the responsibility for her. Because it's too big of a burden. If you tell her, then you don't have to feel guilty. We're not telling Nai Nai because it's our duty to carry this emotional burden for her.

  • Jian: You're broke again? Are you always going to live like this?

    Billi: Poor but sexy? I hope so!