The roots of troubles

Kylee 2022-03-16 09:01:05

8/10. Truffaut has assembled the fancy forms of the New Wave's signature: smooth camera movement, condensing mirrors, overprints, cover changes, and flowing close-ups, conveying a wild and irresponsible atmosphere. The most amazing thing is that the film captures Catherine’s mysterious and capricious image like a statue slide. When Catherine comes on stage, the side and front shots show that Juul and Jim are shocked by the beauty of her statue, and then use fire and The image of water enhances her destructiveness. She always does things beyond the control of others. She carries sulfur, burns letters in a brazier, and unfortunately lit her skirt to symbolize the risk of experiencing passion. She is eager to run and pretend to be a man with fire and cigarettes. The heart is strong and the joy of breaking the gender identity. When the movie theater came out, Juul and Jim tried to challenge her aggressiveness. They were on the top of the steps in the composition, looking up at Catherine who was walking in front. The quick comment switched to Catherine. The sound and picture opposition at this moment metaphors the power confrontation between the sexes, and then Catherine calmly jumped into the cold water, just like her final ending, the cold water represents the tragedy made by unconstrained.

Alvah 2022-03-29 09:01:06

The entangled love, the love of three people, a beam of light came, thinking that it was the exit of the problem, but as everyone knows, it is the afterglow leading to death. The gap between happiness and despair is unexpected.