In the beginning, it was always difficult to distinguish between ancestors and Zhan. Only two "Don Quixote and the Servant" friends are very speculative. They will translate poems and discuss literature with each other, tolerate each other's ideas even if they have differences, and go to fight boxing and dominoes together. In our classical literature, it is always said that bosom friends are hard to find, but I think the two of them are like bosom friends. After opening, the two fell in love with a sculpture, the lips of that mysterious and contemptuous smile, and Catherine with a sculptural face. Although her name is Catherine, her personality is like Napoleon's. She is not sloppy at all. She lives in the world by intuition to guide herself. She always feels that the world is too rich, and as a human being, she might as well make a difference occasionally. She is very willful, jumping straight into the river because she doesn't agree with Zu's evaluation of women (this jump convinced Zu and Zhan, and also established Zu's tolerance and humility in her future marriage with Zu), and will pursue love Fresh and disregarding worldly morals (though Truffaut does try to satirize the worldly), Zu describes her as a ghost, out of this world. Her sensitivity is like that of any woman in the world, even her determination, her tenderness... She will linger on three men, will be furious for not getting attention, and will take good care of her daughter, but what does she want to do? What do you want? Before deserting, she would even publicize in advance, begging God's forgiveness. It is undeniable that in her love with three men, she must be devoted, but she also said that "only one party in love is loyal", but when she was the one who was abandoned, she raised pistol. Yes, love is colder than death. God is cruel, he created woman. In German, the moon and war are masculine (masculine words), the sun and love are feminine (feminine words) and life is neuter. Zu and Zhan are both people who love Catherine deeply. Zu is very merciful. His tolerance makes Catherine always seek comfort from him; Zhan is very "curious". So when Zhan and Catherine got farther and farther in misunderstandings and quarrels again and again, Catherine became more and more inextricable (because she couldn't stand being ignored), she drove the car, carrying Zhan, to the broken bridge, splashing From a large water splash. Yes, love is colder than death. Zu took care of the funeral of the two. After losing Catherine (he had even married Catherine in order not to let Catherine leave him, this exceptionally merciful man felt a little relieved so that he could see Catherine from time to time). , When the fetters entangled in life disappeared, he finally sighed. Yes, the threesome is finally over, friendship and love are gone, only myself. The trio's utopia bears the stamp of a typical Truffaut, and the aftermath of the New Wave gave birth to this delicate work. My personal favorite, apart from the utopia where the three are on a seaside vacation, is when they first met, Catherine showed them her former self who didn't like to laugh. The expression of contempt and charm is certain to complete the shaping of the beauty of this woman. Although the film is called Zu and Zhan, Catherine has always existed in the lives of these two men. (Although the world view of this film is a bit subversive in my opinion, it is not a reflection of the world at that time or even the world now.) -----First draft----- -----Ah, this is actually It can only be regarded as a story outline and mood essay, and the language is a bit messy to be sorted out later---
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