Good

Shana 2022-04-19 09:02:43

Should be in three and a half. The director's favorite youth theme, the description of the two middle-class families is much inferior.
This is an adaptation of a Spanish drama, and I am very curious about what the drama is like.
The director handled the atmosphere very lightly and kept the ideology at the literary level. Reality, fiction, voyeurism, author...
Another reason for not being able to go deeper is the general expression of the two middle-class families.
The last part of the teacher's wife's departure is a bit baffling to me.
Such an ending is unsatisfactory.
The film narrative skills are very good.
There is a little doubt, is the director's "juvenile" a little too "god"? Too calm and mature.

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Extended Reading
  • Micaela 2022-03-29 09:01:07

    Great, the camera lens and the soundtrack are all in place, the plot depicts the morbid human nature vividly, the novel narrative technique, and the embellishment of literature and art make the plot compact and smooth, just like the composition written by Claude, you will never Knowing what will happen next, but constantly thinking and suspicious, desire makes you enter the room, break the balance, there is always a way to transform other people's lives into your own stories, spy and participate, lust and innovation.

  • Beulah 2022-03-29 09:01:07

    Telling an ordinary story with a clever and delicate structure makes the audience feel as nervous as walking on thin ice. The wait-and-see behind is actually the voyeuristic desire hidden in everyone's heart. The desire to steal and the fear that someone will turn around and find it is immersive under the background of the soundtrack. Literature and reality, fiction and suspicion, are eye-catching.

In the House quotes

  • Claude Garcia: But I love you.

    Esther Artole: No. It's not me you love. It's an image. An image in your head.

  • [last lines]

    Claude Garcia: To be continued.