have to compare

Alice 2022-04-19 09:02:57

I watched his films in class. There were originally more than 100 people in the class, but in the end, only 5 people left. Those who didn't leave all fell asleep, and only a few people watched.
It is true that some long shots are too long in literary films, and many people can't watch them, and many people sleep. I have also had such an experience.
But seeing such a result really makes me feel very sad. Today's young people, the current cultural orientation, I don't want to say that there is knowledge and no culture, but I have to say it.
Let’s talk about the movie, it’s okay, I can’t help but think of Jia Zhangke, I can’t help it, I feel.
"Cherry" discusses human nature, or reflection, and it has a strong sense of reality, but I just want to say one thing, I think the cultural differences between countries must have a great impact on everyone's psychology when watching the film, especially the nationality. A strong film is even more obvious. Therefore, people in the world can only see their ideas when they look at the nation. The nation itself sees the nation. That kind of resonance is different, so the speech is not particularly hard, and there is no way to do it. Overall, it's ok!

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Extended Reading
  • Theron 2022-03-23 09:03:17

    Very barely passable. It is relatively thin, and Abbas has nothing better to say to the world-weary. He can only talk about the deliciousness of cherries, but if cherries are delicious, they are not world-weary? what logic. The method is very loose.

  • Zion 2022-03-15 09:01:10

    A moving vehicle = a life's journey, a car window = a screen border, a character's eye = a camera lens. Construction strategies of slow movies: First, not revealing relevant information about the plot, the audience witnesses not that nothing happened, but does not know what is happening, thus causing a delay in the narrative. Second, repetition and circulation. The dialogue keeps returning to the topic of suicide, and the characters keep being taken to the same graveyard. At 00:02:19, the three seats showed the driver to be very calm. 00:24:18, the purposeful delay, the real life is like this. 00:36:11, the scene is excellent. 00:58:01, imagery. 01:04:03, half-rolled windows. The choice of three characters, three different ways of dealing with them, and three different ways of solving problems. 01:05:32, emotional fluctuations. 01:10:51, the scene changes on the way, from dusty and bare to luxuriant and vigorous. 01:21:46, on and off the field. 01:27:26, scene, one scene is multi-purpose. At the end, the black field is bravely used, and the white space is more powerful.

Taste of Cherry quotes

  • Mr. Bagheri: Some things are easier to do than to say.

  • Mr. Badii: I've decided to free myself from this life.

    The seminarian: What for?

    Mr. Badii: It wouldn't help you to know and I can't talk about it and you wouldn't understand. It's not because you don't understand but you can't feel what I feel. You can sympathize, understand, show compassion. But feel my pain? No. You suffer and so do I. I understand you. You comprehend my pain, but you can't feel it