The film conforms to the traditional Hollywood narrative model: problems arise in ordinary life, start to solve problems, intensify the problems in the process, and finally resolve in the climax, and everything returns to peace. This movie is completely a single-line narrative, without too many details. It revolves around the elder brother going home to help the younger brother defuse marijuana. A female poet is added in the middle for the fullness of the plot.
A movie in which one person plays two roles is most suitable for a two-line narrative, because these two people rarely appear at the same time, but this movie is a one-line narrative. At the end, the younger brother was killed and thought it was over, but the older brother came out to find the drug lord. In the part of selling the machine, in the end, my brother was injured and stayed at home, and everything returned to calm. This calm is not returning to the original point at the beginning of the story, but my brother rediscovering himself after going through some things, returning to the plain and repeated life, just like It is said in the play: Restore, we disturbed the world to restore it. The younger brother in the film sells drugs, and finally gets the punishment he deserves with the drug lord. The elder brother is injured and re-understands the meaning of life. The film is like drawing a circle, and finally returns to the starting point, but life has never changed since then. Started a new direction.
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