Later, when Godzilla came out, it looked like it was made of plastic models, which lacked sufficient realism or sense of life. This is a far cry from America's.
As for Godzilla's destructiveness and catastrophicity, it is completely rendered by its slow walk, and there is no tension at all. The so-called helicopters, missiles and tanks are all together, and there is no feeling of a grand scene.
As for the establishment of the otaku squad, the leader is still a very rational and motivated young man. This group also doesn't get enough exposure because right away, the Americans come.
The Americans are here, but they are the images created by the Japanese who love and hate. The weapons are advanced, but they feel dissatisfied, so the Americans are intensifying the contradiction.
In the end, I returned to the otaku squad and used a funny blood coagulation method to destroy Godzilla. Hehe, I'm going to fall asleep.
The Japanese's self-healing, self-isolation in the collective memory of the island country, it is difficult to open the foreign market, there is no heroism, but there is stupid unity and fanaticism, no disaster scenes, no entertainment and exciting plots.
Sorry, I still like Godzilla in Hollywood.
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