- In 2004, Ryuhei Kitamura called this film the last work in the series when he directed " Godzilla: The Ultimate Battle ", but the 2014 US version of " Godzilla " was a global hit at the box office, prompting Japan, the hometown of Godzilla, to restart the already silent film. A 12-year-old classic series.
- A total of 328 professionals from the film and television industry participated in the performance, including directors Ogata Akira, Tsukamoto Shinya, Inudo Isshin, Matsuo Suzuki and others. It is worth mentioning that the late director of Toho Department, Okamoto Kihachi, is in the form of photos. participated in the show.
- Different from the previous "Godzilla series" in Japan, the Godzilla image in the film is completely CG drama. Kyogen performer and actor Mansai Nomura was invited to be the 3D-scanned actor for Godzilla.
- This film is the second collaboration between Hideaki Anno and Shinji Higuchi after the short film " Kyoshinhei Tôkyô ni arawaru ", and the character design part invited Taketani Takayuki, who participated in the short film, as the role. When Shinji Higuchi first called to invite him, he only said: " Please design a monster with dorsal fins."
- Although the screenwriting movie " Q " was a big hit in 2012, Anno suffered from depression and was reluctant to even walk into his studio, and spent a year recovering. He first received an invitation from Dongbao in 2013, but he flatly refused, and finally agreed to take over the film after the persuasion of Dongbao and Shinji Higuchi.
- Taketani Takashi referred to the design of the mushroom cloud on the head of the original Godzilla, and also considered the requirements of Hideaki Anno, "As a complete living body, it is the highest point of the global biological pyramid, and the skin should have a feeling of festering." However, in order to express it more intuitively, Anno took the Come to Bitter Gourd for Bamboo Valley's reference.
- Godzilla's blood is designed to be flowing lava, and the eyes are "human eyes" at the request of Hideaki Anno, and adjusted for the ratio of black eyeballs and eye whites, Taketani Takashi explained, "Among all living things, human eyes are most terrifying."
- The title of the film comes from Hideaki Anno, who explained that "Shin" has meanings such as "new", "true" and "god".
- During the writing stage of the script, Hideaki Anno paid a special visit to the Self-Defense Forces of the Japanese Defense Ministry and asked, "What should the Self-Defense Forces of Godzilla do if they do appear?" Negotiate on location shooting.
- Due to the full support of the Japanese Self-Defense Forces, many active weapons and equipment were able to appear in the film in physical form, but the crew did not establish a cooperative relationship with the US military, so the US military weapons and facilities in the film were produced using models, CG or other forms.
- The soundtrack is performed by musician Shirou Shirou, who participated in "The Mystery of Sapphire" and "Evangelion". In January 2015, he was invited to work on the soundtrack while having dinner with the Anno couple. Part of the soundtrack is based on the soundtrack composed by the late musician, Akira Ifukube for the previous "Godzilla".
- Hasehiro admired the professionalism of the two directors. He said that the directors would accurately position the actors to the centimeter. The most difficult thing for him was the words of politicians. Before shooting, Director Anno specially gave him a piece of speeches about politicians. DVD study .
Shin Godzilla behind the scenes gags
2022-01-29 08:11
Extended Reading
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Ashtyn 2022-03-21 09:03:22
It's not a monster movie in the traditional sense. It's very interesting to shoot. The focus is on the response of government agencies to the "giant unknown creature", and even the diplomatic setback. It is full of urgency and realism. All empty. Unsurprisingly, the whole feels very EVA, and the music is even directly used
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Anthony 2022-03-25 09:01:22
Meeting domineering, from the domestic bureaucracy to international political relations, has references, although it is slightly flat, but such a huge ambition and a practical explanation of the current world, it is really a monster film or an anti-monster film that has never been seen before; CG made The leather case texture of Godzilla combines tradition and modernity, revealing an indescribable beauty; at the same time, the director keeps reminding the audience with Decisive Battle: Hello everyone, I'm Hideaki Anno, I have filmed Evangelion
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Kayoko Ann Patterson: I won't see a third bomb dropped on the country of my grandmother, who lived through it.
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Prime Minister Seiji Okochi: There is no precedent.