I only watched this film at the beginning of 2021. The new coronavirus has a good sense of sight. The giant creature and the giant virus are equally divided. The latter shows the world's living beings in 2020 last year. Faced with a sudden nationwide disaster, Japan and China are both similar and different. The prime minister said the beast would not come ashore; the leader said the virus would not spread from person to person. Prime Ministers are always forced to make decisions and die in the end; Chuishao people are forced to hide the truth and die in the end. The train committed suicide, the crane was filled with medicine, the sea, land and air were all on board, trying every means to attack; wearing masks, diapers, all pots and pans, trying every means to defend. The fighters come from all walks of life in Japan, and they have international support at the same time; the epidemic prevention personnel come from all corners of the country in China, and they are united to support Wuhan and fight the epidemic and disasters. ... Those differences reflect the background color that reflects the country's attributes. Regarding the discussion of human nature in the film, my favorite is the one involving destruction and reconstruction, death and new life. Regarding the quality of the filming, it is necessary to entrain private goods: As an old EVA fan who has entered the pit of the Eagle Warrior, every time the BGM sounds, the bird muscles. As an old Bumpman fan who introduced the first generation of TV Jake Estero Leo Eddiega all the way in China, seeing special effects that are different from Hollywood disaster films and monster films, although they are contrary to harmony, they are more real, especially when they appear in the crowd. The first form of dead fish eyes, scaring urine.
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