Interlacing of four time and space

Wendy 2022-04-21 09:03:02

The storyline is rather old-fashioned. A girl fell in love with a stranger because she was bumped by him. She was looking for that first love all her life, and because of this, she entered the showbiz. When she played any role, she would bring in the feeling of that person.
The performance is excellent, and it is worthy of being the God of Jin Min. In the form of an interview record, the actress Chiyo and the interviewer have a dialogue, and then the picture enters the scene at that time. Each scene is a script of the year, and it is also Chiyo's true love for her first love. It's a pun. Interviewers and photographers will also enter the picture, sometimes as bystanders in the parallel world, and sometimes they will enter the plot to play roles. Since the interviewer himself is a super fan of Chiyo, he is full of love, which makes the audience love Chiyo even more. There are many echoes before and after. The astronaut part at the beginning and end of the film not only echoes, but also implies the theme. Chiyo said, "What I like is the one who has been chasing him." There is also an old witch who runs through the whole film, who gave Chiyo the poison that "you can never be with true love if you don't die for a thousand years". There are deep meanings everywhere in the film, the four time and space of Chiyo's heart, Chiyo's past, Chiyo's present and our audience.

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Extended Reading
  • Madalyn 2022-03-19 09:01:07

    From the 65th minute, there is a 5-minute montage passage. This is the most beautiful passage. It plays the gorgeous movement of the heroine's life and constitutes the theme: she has been acting in the same play all her life. And, waiting for a lifetime to take a look, how to be greedy. What's more, she can shout: "I love him more day by day!"... "I have been chasing him because I like him." It was a girl's feelings, she kept it for life.

  • Mona 2022-03-26 09:01:11

    2020-7-28 two brushes, 2021-8-7 three brushes; full distribution music is full of fearless obsession even though millions of people have gone, perfect editing and perfect transitions, time and space change randomly in a movie, with interviews As the main point of intervention, the writer not only witnesses/witnesses Chiyoko's quest, but also traces the history of (Japanese) film; therefore, this is not only about the long wait for love, but also the original intention and goal of maintaining a long-term enthusiasm for the film. It means "making a movie with your life", it's too good to cry. Taking "running" as the main image, he walks through the gaps of history, and strives to reach out in the series of light and shadow. From heaven to earth, a lifetime of extremes, thousands of mountains, thousands of rivers, thousands of mountains, until the end of the world, until the depths of the sky, I must find you, after all, I love the process of chasing dreams, even if it is a phantom that can never be touched. Thinking of the person who can't even remember his face, waiting in loneliness for a long time on the snowfields of Hokkaido all his life, is like rolling over all the thoughts of this life again. Goodbye, one day, we will meet again.

Millennium Actress quotes

  • Kyoji Ida: [while Kyoji and Genya are watching Chiyoko crying at the train station] Man, this is dramatic...

    [Koyi surprises when he sees a crying Genya]

    Genya Tachibana: [Crying] I cried fifty-three times in this scene!

    Kyoji Ida: When did this become a movie?

  • Senior Manager of Ginei: [the director presents Chiyoko with Eiko] Chiyoko is in the lead

    Chiyoko Fujiwara: [Making a reverence] Nice to meet you

    Senior Manager of Ginei: I'm sure you recognize to Eiko Shimao, Our main star

    Eiko Shimao: [Looking at Chiyoko despectively] Hello, Chieko