The film follows the traditional Indian preaching, the awakening struggle of one or a few people to expose the problems existing in the whole society. The protagonist is the male protagonist in the toilet hero, and the story is quite satisfactory. It is adapted from a real story. Although it is exaggerated, it is also reasonable. It can be said that it is very Indian. In recent years, in China, Indian films can be said to have stood firm, which has a great relationship with the concentration of their industries and the content that reflects the bottom of Indian society. Chinese audiences are very fond of this set, and the flood of sympathy will always be given to disadvantaged groups.
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