Tell me about your impressions after watching it for a day

Morgan 2022-04-22 07:01:55

The first time I knew this name was from the fourth uncle, the owner of the B station up, I thought it was a weird name before I didn't know it.

Movies often span two and a half hours or so from grandma's girlhood to old age and wrinkled faces. Among them, he experienced the death of the boy's mother, the death of his father, the end of World War II, etc. What the director wanted to talk about? Hitler talked about discrimination against the Jewish people and the boy's obsession with the tin drum (and also killed the people around him because of this) and the use of dead horses Head fishing and mom and cousin have an affair even though they fell in love before the boy's father. The boy hates the world of adults. At the age of three, he has an adult value judgment. He feels uncomfortable and disgusted at the teasing of his mother's private parts with his feet under the table. I mean it's not supposed to understand it and it shouldn't have a special reaction to it so it's a magic realism movie it's not clear what it's telling a good story the time span of the story is long and rich and I still remember it grandmother roasting something in the field

View more about The Tin Drum reviews

Extended Reading
  • Caitlyn 2022-03-20 09:03:07

    The symbols are a bit complicated, but they are still relatively easy-to-understand historical metaphors: two fathers, one in Germany and the other in Poland, screaming and drumming are messing with the world, and refusing to grow up is also a survival strategy - if this is the only step, Mo Yan and even Yan Lianke can do it arrive. Also talked about some personal things, such as choice and growth, but not much. That East Prussian muddy smell emanates from Grimm's fairy tales.

  • Yasmin 2022-03-16 09:01:09

    I am very worried about the mental health of young actors

The Tin Drum quotes

  • Agnes Matzerath: Don't expect me to touch your eels.

    Alfred Matzerath: Don't put on airs.

    Agnes Matzerath: I'll never eat fish again. Certainly not eels.

    Alfred Matzerath: You've always eaten them, and you knew where they came from!

  • Bebra: You must join us, you must!

    Oskar Matzerath: You know, Mr. Bebra... to tell the truth, I prefer to be a member of the audience, and let my little art flower in secret.

    Bebra: My dear Oskar, trust an experienced colleague. Our kind must never sit in the audience. Our kind must perform and run the show, or the others will run *us*. The others are coming. They will occupy the fairgrounds, they will stage torchlight parades, build rostrums, fill the rostrums, and from those rostrums preach our destruction.