Documentary is generally stronger in the picture (not photography) and weaker than the story, which will make the entire viewing process beautiful and empty, so it needs other qualities to fill it. In this film of Salgado and his son, other characteristics selected are the humanistic care accumulated by the old Salgado in his many years of career, the shock provided by those great photos, and the breakthrough in the vision of the old Salgado himself. These three support the film at different levels, and with the already beautiful pictures, basically every ten minutes, I can give me a high five. The deepest impression is that the old Saldoga went deep into the mining area and took pictures for the miners who seemed to be crucified. In his camera, the energy that can be released between black and white is extremely powerful
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