A treasure trove of family

Alexandra 2022-04-19 09:03:11

The frame in the picture extends the space and has a sense of hierarchy. The exquisite Japanese family composition, the actors look directly at the camera, show the characters' emotions and inner thoughts, and use the quiet lens to capture the perfection of human nature, reflecting the warmth of Japanese families. Japanese-style beauty, as the plot unfolds, the daughter is devoted to taking care of her father, while the father is worried about her daughter's marriage, and the contradiction between the two gradually deepens. The reverse is that the father had the will to remarry, but Qiuzi did not. Of course, the premise is that everything is for the sake of the daughter's lifelong happiness. Cycling is the most beautiful moment in the whole film, but it is fleeting. Arranged marriage, Noriko blames her father, whose melancholy spreads to her wrinkled heart. When a father asks his aunt to be a matchmaker, it should be appropriate. From the perspective of his daughter, he takes into account her feelings the most. Better weather suggests fathers are optimistic about their daughter's marriage prospects. The last journey of the father and daughter is precious. Before going to bed, the two sides will have a heart-to-heart conversation. The daughter has an Electra complex and can even take care of her father for the rest of her life. The father tells that the marriage has been won. to see happiness. In the end, the remaining father endured the silent sound of a knife slicing an apple, creating a kind of murderous loneliness, and the sound of the waves in the distance drowned out a faint life. Layers of classes imply different stages of life, and when we reach different stages, we will eventually be separated. "Walking Nonstop" and "Yiyi" are probably influenced by this lens. Setsuko Hara's smile is kind, his father's expression is very kind, and the scenery in the sky is beautiful, condensing the beauty of the fleeting time.

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Extended Reading
  • Ulises 2022-03-28 09:01:13

    The day before yesterday, I was bored, I was lying on the sofa while playing with my phone while watching this film in the box absent-mindedly. The next day, the news of Hara Setsuko's death came. The back and forth on the tatami, the back and forth on the tram, the whole life has passed, she will always smile so sweetly in front of the screen, but with her back to the screen has long been a world of self that we do not know, may this goddess It is also a sweet smile and a dream, to continue to accompany the father who is reluctant to leave

  • Cathryn 2022-04-24 07:01:25

    "The one we married back then was someone else's daughter." Setsuko Hara is so beautiful! And it is youthful, sunny, healthy, and sturdy beauty. Since Noriko (how is it called Noriko) got married, she has been wiping away her tears until her father sent his relatives home to peel the apple and put it down by himself. Setsuko Hara, the never-married "daughter forever", in the film, the bride's dress is absolutely beautiful, like a person walking down the most exquisite Ukiyo-e. Her best friend Ayako is also beautiful. It had nothing to do with Electra, she just got used to that life style and didn't want to change. More than 70 years have passed. Fortunately, women now have more choices, but people's traditional concepts and emotions are still the same. If a woman knows what makes her happiest, why must it change? The father said to his daughter that marriage does not mean happiness, and it is very advanced for the couple to create that sentence! It's just that Japan was too macho at that time. That part of the film is a wild talk, right~ Watch this "Late Spring" in the rainy and comfortable weather in late spring. The 2015 4K remastered version has been out for a long time at 10 o'clock in the morning. Sure enough, there are many empty seats. "Songfeng Bamboo Shadow: Song Bamboo Classic Review Special" sold out

Late Spring quotes

  • Noriko Somiya: I'd find it distasteful.

    Jo Onodera: What's distasteful? My wife?

    Noriko Somiya: No. You!

    Jo Onodera: Why?

    Noriko Somiya: It seems - indecent.

    Jo Onodera: Indecent?

    Noriko Somiya: Filthy, actually.

    Jo Onodera: Filthy?

    [laughs]

    Jo Onodera: How far I've fallen! Filthy, eh?

  • Jo Onodera: Which way is Tokyo?

    Shukichi Somiya: Tokyo, that way.

    Jo Onodera: So east is this direction?

    Shukichi Somiya: No, that direction.

    Jo Onodera: Has it always been that way?

    Shukichi Somiya: Absolutely.

    [they both laugh]