Face value is not a matter, the script, acting skills, and character creation are the business!
In the absence of beauties, handsome guys, monsters, and aliens, it just allows you to see people and see the truth and changes of human nature. It is very enjoyable. This is a textbook-level movie with an extremely neat and wonderful script.
Although the current and current shots use cool colors, and the memories of the shots use warm colors. The shots of key events and climax solar eclipses are very psychedelic, a bit like a desktop. Although this technique is a bit old-fashioned, it is because of the characterization. That's great, this one doesn't matter anymore. Beauty is not a problem here, just look at the hostess. Beauty is not a matter, acting skills and characters are the key.
Every character in the scene is very real. Their every move is shaping the character, and it brings a logical change to the audience, breaking your judgment on this character time and time again.
- Daughter Selena: A newspaper reporter who works hard in a metropolis. She has a little achievement, and her career is rising. She doesn't have much contact with her hometown. She is indifferent to her family. She feels insecure. She doesn't hesitate to do anything for her career. All in anger. Because the damage was too great, the brain was so scared that it hid this memory. Is it supported by medicine? The painful memory cannibalize her heart, and she lives in the shadow of pain every day.
Towards the end, she finally recalled the plot of the most painful memory. The design was particularly good, it was the taste. The smell of cheap and bad coffee and chocolate on the ferry reminded her of the experience of being violated by her scumbag father. Is the daughter's acting skills? It's okay, just a bit too much, and there is some anger.
- Mother Dolores: I am angry at everything and very unfriendly to people. At the beginning, he appeared as a murder suspect with a cold temperament; gradually became a victim of domestic violence; then became a rebel; and then. . . With the plot, I have been refreshing my understanding of her. Those who survive by acting have nothing to say.
- The female employer, Vera, the victim of the initial murder, is actually plump: A woman with a strong desire for control, look at her husband, she doesn’t care about her, she controls this, tablecloths, tablecloths, how to dry the sheets, There are a few clips on it, and she has to yell for control as far away as possible. It is hell to work for her, it is difficult to work to her heart, and she is still a miser. Her husband only comes once a year, like a migratory bird. But her personality has changed several times,
The turning point of person setting 1: Seeing her feeling of powerlessness in her life before her death, and a lonely life without quality of life, Dolores is her only support.
The second turning point of personal design: When Dolores cried out that the money in the passbook was stolen by her husband, this collapsed thing suddenly changed. But the turn was so natural, she began to say, "I don't have money to lend you." These words were in line with her personality of deducting B. Then, she kept asking, "What the hell did the beast do to the child?" This is in line with the curiosity of the seven aunts and eight aunts around us who both have a sense of justice and want to know the truth about the breaking news. And her feminist sense of strength suddenly became clear at this time. What she meant was that you can't go on like this anymore, you see, that's how I ended up that bastard. Suddenly there is a solid female image in "Why Women Kill".
Few changes in male image, labelling
The female images in the film are fuller, and the male images range from a scumbag father, a prejudiced detective to a warden in the bank. There are relatively few changes in the personality, and they will only get worse and worse. Full of ignorant male chauvinism, except for the honest little detective. They teamed up to push women to a dead end. That little detective became the only hope for women to feel the last bit of beauty in the world. It was also during the last trial that he told the truth and gave the audience a little hope for men.
There are few changes in the male image, a little flattened, and it deserves it, so let’s go, it’s a joy to watch!
Throughout these heroines, the victims who are full of anger, control madness, and sadness are much more competitive than the weak and feeble heroine in "rosemary's baby" I watched yesterday.
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