FIFF17丨DAY8 "Paradise Shadows": We don't want to be separated like the editing of the camera

Kim 2022-01-09 08:02:01

The eighth screening day of the main competition unit of the 17th Faroe Island Film Festival will bring you "Paradise Shadows". Below, please see the comments from the idle young people on the front line!

fire_storm:

It’s so cool+I put a spell on you.

The Queen of the Faroe Island Empire:

Jia Muxu is an all-rounder in the modern film industry.

Matsuno empty pine:

Only the last 30 minutes are considered to be in state.

all:

Excellent script, extremely powerful director ability.

Catcatcatyang:

The characters cannot be close to each other, nor can I be close to the story itself.

Fruit trees:

The editing is rough but strangely poetic, with a unique look and feel in black and white tones.

Spy Liu:

A sense of confusion, a short movie with a design, but it's really boring. Some places can still be laughed.

Wang Zi puppy:

Although there are many stories about living elsewhere, Jamusch will always be the most unique and romantic one that can hit me the most.

We Min Hee:

The last "shit", stupefied with the silly X at the end of "Sunny Day", is a concluding closing speech.

Donnie:

The little humor, contrast, and the collision of different personalities of Jia Muxu is really cute. For example, the aunt, such as Eastern Europeans who think she is American, and those who are just right wrong.

Full of Zhao+:

Laughing to death, nothing can stop you who are destined to separate. From the appearance of the hip-hop boy, he walked into a black humor trap. He wanted to laugh but couldn't help being sad for the separation of the three, sad for the lost skirt, and lost in the movie. Casual life hurts.

Cangshan ancient well air to the moon:

From New York to Cleveland to Florida, it is nothing more than gambling in another place and siege of oneself in another place. There is not much difference. Ending the scene with repeated carelessness and black screen to convey the failure of communication, loneliness is the normal state, but the speechlessness with someone may be better than the wandering and helplessness. Even though you are trapped in the house, you at least know that you have someone to wait for. The ending is full of black humor.

Pincent:

A few seconds of black screen transitions and random editing of time spans make the emptiness of emotions and empty scenes more fragmented. Everyone is just in the vacuum paradise of their own, but no character is not unique and may be worthwhile. Smile. The role of cousin Ava is quite interesting, attractive but nothing sexual. A high-quality model of low-cost filming, the image is somewhat grainy.

Psychedelic Muffins:

The absurd and boring days of idleness for young Hungarian immigrants in the United States. Making a decision is just a slap in the head, and there is no plan to spend money, free and free. I am quite envious of this kind of life, I don't care about anything. In the film, the life status of young immigrants and their identity issues are also hit the nail on the head. The American dream is so tempting. The new immigrants can't wait to get rid of their original status. They are just living in a small apartment of a few square meters, doing some ordinary work, watching football, drinking, and doing nothing. I like the black screen for a second when I want to change.

No one at midnight:

Far more interesting than the cleverness of the "Earth Night", the parody of the classic relationship model of "three-person" is close to the temperament of "new wave back to the soul", and the deliberately old black and white images are brewed in silence and simplicity. future sense. The woman kissed the man goodbye by the door, turning his nostalgia on deaf ears, and the next moment she stood on the street and took off her skirt and was witnessed; two men and a woman just finished their last trip together in a snowy sky, and the next time Galloping in the lane of night. The character is always led by emotions that are hard to part with, the camera is unwilling to separate, and new vitality grows every time it breaks.

O. Yin:

This generally considered dull film unexpectedly became my favorite one in the Faroe Islands film list of 1984. The black screen transition is accompanied by the music that always intervenes just right to separate each shot from the scene, forming a sense of narrative discontinuity, but maintaining a high degree of emotional continuity. The language of the lens of Jamusch seems simple, but he accurately depicts the state of the characters at all times, while leaving behind rhyme. We often see characters walking out of the screen, and often see them being relatively speechless, and they emphasize the similarities and differences between identity and language. , Must squeeze the passion out of the boring life, after all, it is inevitable to encounter nothingness on the road to heaven. Finally, the heroine is so beautiful!

DAY8's main competition magazine will be released later, please wait and see.

View more about Stranger Than Paradise reviews

Extended Reading
  • Lea 2022-03-28 09:01:07

    This independent film benchmark of the same age as me, a literary model of the 1980s, Mr. Jiamusu is too calm, calm enough to suffocate you. Yes, Paradise Stranger, this is fucking life, and so is "Paradise". Those who inexplicably deliberately provocative and false passion are not allowed to die!

  • Shawna 2022-03-19 09:01:06

    Use indifference to conceal only tenderness, indifference to conceal inner loneliness, black and white pictures, fixed camera positions, and beautiful photography, "When you come to a new place, everything seems to be the same." Finally, Ava Back at the hotel, leaving only the lonely figure leaning on the sofa, echoing her walking on the street alone at the beginning.

Stranger Than Paradise quotes

  • Willie: Who rang?

    Eva: Yes, the telephone rang.

    Willie: I mean who was on the phone?

    Eva: Core Guy. He said his name was Core Guy.

    Willie: What?

    Eva: He says his name was Core Guy.

    Willie: I don't know anybody named Core Guy?

    Eva: That's what he said his name was.

    Willie: Don't answer my fuckin' phone! All right? - - Core Guy?

  • Willie: Eva, going out?

    Eva: Yeah.

    Willie: Look, Clinton Street is two blocks south of here. I wouldn't go any further south than Clinton Street.

    Eva: Why?

    Willie: It's really dangerous there.

    Eva: I can take care of myself.

    Willie: Man, listen, you come, you don't know what's going on this city. You've never been here before. You come and stay in my apartment and I don't even want you here! It's just like, "Yeeeah, I know what's going on." You think you're so 'know-the-fuck-together!'

    Eva: I'm going alone.

    Willie: Aw, go alone.