Enid 2022-01-09 08:01:49
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Montana 2022-01-09 08:01:49
Palma pays tribute to Hee Fat's formalistic erotic thriller. The murder in the bathroom at the beginning and the end and the core of the story are the same as in [Scary]. After the subway chase and kill scene, start [the line of evil] [the dawn of the love owl]. Mastery control of subjective mirror + panning (museum and subway), upside-down shooting (murder in mental hospital) and split-screen narrative (with a slightly different effect from [Witch Carrie]). Title and mirror. PS: Nancy Allen can't control the seductive drama at all. (8.5/10)
Nona 2022-04-21 09:02:55
The suggestion of the mirror, the suggestion of the dream. A tribute to bathroom murder.
[last lines]
Peter Miller: Look, Liz, I've got to get home and get to work.
Liz Blake: Gee, I'm gonna miss having you on my tail. You made me feel kind of safe.
Peter Miller: Want to come home with me? I'd love the company.
Liz Blake: Wouldn't Mike mind?
Peter Miller: Mike's out of town on a business trip. We've got plenty of room.
Liz Blake: Great. I could sure use the vacation.
Peter Miller: Good, good. I'll get the check.
Bobbi: [on Elliott's answering machine] This is Bobbi. You won't see me anymore, so I thought I'd have a little session with your machine. Oh Doctor, I'm so unhappy. I'm a woman trapped inside a man's body - and you're not helping me to get out! So I got a new shrink, Levy's his name, he's gonna sign the papers so I can get my operation. Oh... I borrowed your razor... and - well, you'll read all about it. Some blonde bitch saw me, but I'll get her.
